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BHL is happy to be a charter signatory of the Bouchout Declaration for Open Biodiversity Knowledge Management

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The Biodiversity Heritage is a charter signatory of the Bouchout Declaration  for Open Biodiversity Knowledge Management. The Declaration is a call to action for institutions to support biodiversity knowledge management. On 12 June 2014, the Declaration was officially launched at the pro-iBiosphere Final meeting at Bouchout Castle, Botanic Garden Meise, Belgium

As an outgrowth of the pro-iBiosphere project, the Declaration has wide ranging support from a world-wide group of institutions and individuals. Other BHL partners that are signatories include the Museum of Comparative Zoology (Harvard University) and the Encyclopedia of Life.

The opening of the Declaration asserts:
Our natural world is a source of food, water, resources, protection and enjoyment that our society needs. The richness and complexity of nature, and the speed of new discoveries made possible by genomic and digital technologies, challenge us to find new ways to benefit from and be better custodians of the natural world. Digital information management systems can bring together the wealth of information now dispersed in a myriad of different documents, institutions, and locations. With such systems, we can harness the benefits of rapid discovery and open up our legacy of over 270 years of biological observations. 
The fundamental principles of the Declaration are:

  • The free and open use of digital resources about biodiversity and associated access services; 
  • Licenses or waivers that grant or allow all users a free, irrevocable, world-wide, right to copy, use, distribute, transmit and display the work publicly as well as to build on the work and to make derivative works, subject to proper attribution consistent with community practices, while recognizing that providers may develop commercial products with more restrictive licensing. 
  • Policy developments that will foster free and open access to biodiversity data; 
  • Tracking the use of identifiers in links and citations to ensure that sources and suppliers of data are assigned credit for their contributions; 
  • An agreed infrastructure, standards and protocols to improve access to and use of open data; 
  • Registers for content and services to allow discovery, access and use of open data; 
  • Persistent identifiers for data objects and physical objects such as specimens, images and taxonomic treatments with standard mechanisms to take users directly to content and data; 
  • Linking data using agreed vocabularies, both within and beyond biodiversity, that enable participation in the Linked Open Data Cloud; 
  • Dialogue to refine the concept, priorities and technical requirements of Open Biodiversity Knowledge Management; 
  • A sustainable Open Biodiversity Knowledge Management that is attentive to scientific, sociological, legal, and financial aspects.

BHL and EOL co-host a Smithsonian Associates event

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On May 28, the Biodiversity Heritage Library (BHL) and the Encyclopedia of Life (EOL) co-hosted an evening program on digital volunteerism.  The event was organized by The Smithsonian Associates (TSA) and was attended by 74 people.

Jen Hammock presenting at the
Smithsonian Associates program
Carolyn Sheffield (BHL), Katja Schulz (EOL), and Jen Hammock (EOL) presented on BHL, EOL, and examples of how people could contribute to growing our knowledge of the planet's biodiversity.  Presentations were followed by a hands-on session where attendees were encouraged to start machine tagging images in BHL's Flickr Photostream, cropping and rating images, and exploring the iNaturalist platform.

BHL has hosted similar events in the past for Smithsonian staff to learn about--and add--machine tags to the images in BHL's Flickr Photostream.  A machine tag is a tag that is structured in such a way that a machine can read and understand it. In our case, we're assigning machine tags of scientific names to the BHL illustrations in Flickr so that EOL can recognize those as images that can be harvested and associated with the appropriate species page in EOL.  See an example of an EOL species page with a BHL image here:

EOL species page for Magnolia hodgsonii with
illustration from BHL's Flickr photostream


The structure that we use for the machine tags is:

taxonomy:binomial="genus species"

You can replace "binomial" with another taxonomic tag, such as "genus" or "family, if you can only identify the organism at that level.  Learn more about the Flickr tagging process and machine tag formats in the instructions we provided to session attendees.

Katja Schulz working with
some of the TSA attendees 
The TSA event was not only an opportunity to expand our cadre of machine taggers but also gave us a chance to share multiple ways that people could get involved with BHL and EOL. For example, images that depict multiple species can create confusion when associated with a single species page in EOL.  Attendees were shown how to replace such images with a cropped version showing only the relevant species.  The evening also provided a chance to showcase EOL's recently launched iNaturalist Collections.

All told, it was a very successful event.  Several guests said they were delighted to learn about EOL and BHL and, by the end of the day, 129 more images in BHL's Flickr Photostream boasted machine tags.  We look forward to the continued contributions of these amazing Smithsonian Associates session attendees!

Looking for a way that you can get involved?
Check out the instructions on machine tagging or visit EOL to sign up for an account and to learn more about recording your own observations of the natural world through EOL's iNaturalist collections.

Global BHL visitors in Washington, Patricia Mergen and Abel Packer visit BHL Secretariat and Smithsonian Libraries

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Patricia Mergen at Smithsonian Libraries
Staff from BHL Europe and BHL SciELO visited with BHL Secretariat staff


Dr. Patricia Mergen, Liaison Officer,  Legal Entity Appointed Representative (LEAR) at the European Commission, Royal Museum for Central Africa, Tervuren, Belgium, visited the BHL Secretariat and Smithsonian Libraries on 31 May 2014.

Mergen was in Washington to attend the Catalogue of Life Workshop and  Symposium (2-4 June 2014). In discussions with Program Director Martin Kalfatovic and Program Manager Carolyn Sheffield, Mergen gave updates on activities of BHL Europe and upcoming European biodiversity initiatives, including the Horizon 2020 programme. There were also updates from Biodiversity Information Standards (TDWG) of which Mergen is the Secretary.



Dr. Abel Packer, head of BHL SciELO (Brazil) also stopped by between the Society for Scholarly Publishing 2014 meeting (in Boston) and other work in Philadelphia. Packer gave updates on the work being done to upload BHL SciELO content to the BHL portal. As planned host for the 2015 Global BHL meeting, Packer outlined some ideas that will be presented to the Global Steering Committee.

Once There Were Billions: The Great Auk

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Once an amazing diversity of birds--some in breathtaking abundance--inhabited the vast forests and plains of North America. But starting around 1600, some species began to disappear, as humans altered habitats, over-hunted, and introduced predators.

A notable extinction occurred 100 years ago, with the death of Martha the Passenger Pigeon, the last member of a species that once filled America's skies.  The story of the last Passenger Pigeon and the disappearance of the Great Auk, Carolina Parakeet, and Heath Hen reveal the fragile connections between species and their environment.

To help tell their story, the Smithsonian Libraries, the Biodiversity Heritage Library, and the National Museum of Natural History have curated a joint exhibit entitled Once There Were Billions: Vanished Birds of North America that will open June 24 in the National Museum of Natural History in Washington D.C.  Over the next several weeks, we'll be highlighting each of the four birds with content from the exhibit and illustrations found in BHL.

Naturgeschichte der Vögel Mitteleuropas
[Natural history of birds of Central Europe]
Johann Andreas Naumann et al.
Gera-Untermhaus, Germany: F.E. Köhler, 1897–1905
http://biodiversitylibrary.org/item/108804#page/219/mode/1up   

Great Auk: Flightless, Social ... and Doomed
The Great Auk (Pinguinus impennis) once lived in large, dense colonies along North Atlantic shores. Clumsy and flightless on land, they were perfectly adapted to "fly" underwater, with their small wings and streamlined bodies.

Extinct Birds. Walter Rothschild
London: Hutchinson, 1907
Plate 38, Alca impennis
http://biodiversitylibrary.org/
page/38665797#page/367/mode/1up
  
The caption for this image of the Great Auk gives its old scientific name, Alca impennis. Now termed Pinguinus impennis, the auk may look penguin-like, but it is related to the puffin. Great Auks mated for life nesting in crowded colonies on rocky islands. Females laid one egg per year on bare rock, and both parents took turns incubating the egg.

Unfortunately, they could not flee human predators.  Hunters slaughtered Auks by the thousands for meat, eggs, feathers, and oil. Once the bird's numbers dwindled precipitously, naturalists hurried to add them as specimens to their collections before they disappeared forever.  By the mid-1800s the species went extinct--the final result of centuries of human exploitation.

What can be done to prevent future extinctions? One way is to support researchers who seek a better understanding of the biodiversity of this planet.

The Biodiversity Heritage Library (BHL) is a global project that is changing the way research is done, by digitizing and sharing biodiversity literature online. BHL makes more than 43 million pages and nearly 100,000 scientific illustrations--of animals and plants, living and extinct--freely available to scientists and others around the world.

The Great Auk is documented in over 3,000 pages of the literature found in the BHL corpus. BHL relies on donations from individuals to support scanning of the biodiversity literature held in some of the world's most renowned natural history and botanical libraries.  To learn more about how your donation supports the continued growth of BHL, please visit http://archive.constantcontact.com/fs181/1103622715135/archive/1115465985290.html. We hope you'll consider making a contribution today!



Russian librarians visit Smithsonian Libraries' BHL operations

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On 17 June 2014, a visiting delegation of librarians from across Russia visited Smithsonian Libraries and our BHL operations. Coming from a wide variety of institutions in Russia, the group was particularly interested in digitization and digitization workflow.

Smithsonian Libraries (SIL) Deputy Director Mary Augusta Thomas provided a welcome and general overview of Smithsonian Libraries to the group and the SIL Associate Director and BHL Program Director discussed Smithsonian and BHL digital initiatives.

The highlight for the group, however, was their visit to the SIL scanning room in the National Museum of Natural History where they met with Jackie Chapman (SIL BHL Librarian) and discussed BHL and pan-BHL scanning operations.

The visitors and their institutions were:

  • Ms. Iulia Maratovna GABIDULLINA
    American Center Coordinator, Perm Krai Library n.a. Gorky, Perm
  • Ms. Sofia Alekseevna KOCHERGINA Jr.
    American Shelf Coordinator, St. Petersburg
  • Ms. Olga Yurievna MAKAROVA Sr.
    Director, Central City Public Library 'Chitay-Gorod, ' Novgorod Velikiy
  • Mr. Kirill Arkadyevich SAMARKIN
    Library Manager, Moscow City Library Center
  • Mr. Sergey Gennadievich SOLOVEV
    Acting Director, Vladivostok Centralized Library System, Vladivostok
  • Ms. Nadezhda Yurievna VALIAEVA
    Chief Librarian, Library of American Literature, Nizhegorodskiy State Linguistic University n.a. Dobrolyubov, Nizhniy Novgorod
  • Mr. Renat Bulatovich ZAKIROV
    Deputy Director, Automation, Moscow City Library Center
  • Mr. Alexandr Ivanovich KUNIN
    Department Head, Center of Comics and Visual Culture, Russian State Library for Youth 
Visitors "Folding the Flock" for the upcoming "Once There Were Billions" exhibition at Smithsonian Libraries:




Welcoming Grace Costantino, BHL Outreach and Communication Manager

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Grace Costantino, BHL Program Manager. Image Credit: MYH Photography.
We are pleased to announce that Grace Costantino has joined BHL as our new Outreach and Communication Manager!

Grace is no stranger to BHL. She started with the project back in 2008 as a BHL Librarian at the Smithsonian Libraries, after which she served as the BHL Program Manager from 2012-2013. Over her years on BHL, she has helped shape the program's digitization workflow, assisted in the implementation and administration of the user feedback system, facilitated strategic planning efforts, organized evaluation and reporting policies, spearheaded marketing and promotional activities, performed financial administration, and developed and managed BHL's outreach and communication strategy.

In her new capacity, Grace will further refine BHL's outreach strategy, expand social media initiatives, supervise marketing and promotional activities, and engage with the public to excite audiences about the wealth of biodiversity heritage and knowledge available in BHL while also educating them about its critical importance to modern scientific, conservation, and informatics efforts.

Grace with her husband, Justin, and their dog, Jack.
Image Credit: MYH Photography.
Grace received her BA in Studio Art, Graphic Design, and Art History, as well as her Master's degree in Information Systems and Management, from the University of Maryland, College Park. She currently resides in Crofton, Maryland, with her husband, Justin (a middle school art teacher), and their dog, Jack. Her hobbies include drawing, painting, reading, writing fiction, watching fantasy and sci-fi movies, and traveling. She hopes to one day travel to every US state and continent. She has 21 states and 4 continents to go...Come on BHL-Antarctica!

The BHL Outreach and Communication Manager position is part of the BHL Secretariat, housed at the Smithsonian Libraries. The position is made possible in part through funding from the Institute of Museum and Library Services (Grant number LG-00-14-0032-14).

Breathing Life Into a Museum Exhibit About Extinction

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Once There Were Billions, the new Smithsonian Libraries/BHL exhibit at the National Museum of Natural History.  The Passenger Pigeon on the left, with her back to the viewer, is Martha, the last Passenger Pigeon that died 100 years ago in 1914.
You are living in the midst of earth's sixth great extinction event. You've been living in it since you were born. So have your parents, your grandparents, your great-great-great-great-grandparents, and all of your ancestors for about 10,000 years. It dates back to the extinction of the mammoths and has been increasingly accelerating as human actions and climate change reshape the balance of our planet.  Within the next century, 75% of the conservatively estimated 8.75 million species on earth may be extinct.

When many of us think of extinctions, we think of the countless species disappearing in the Amazon rainforest, the ocean's coral reefs, or the forests of South-east Asia. But the truth is that extinctions happen in every corner of the globe. Some are noticeably notorious, others occur without us even knowing that the species existed in the first place. One of the most infamous North American extinctions is the demise of the Passenger Pigeon.

By the time Europeans first came to the New World, approximately 40% of all land birds in North America were a member of the species Ectopistes migratorius, or the Passenger Pigeon. Their population numbered in the billions, and their abundance spurred intense human hunting in the mid-1800s. Less than a century later, the Passenger Pigeon was extinct.

Gilbert Borrego, co-curator of the Once There Were Billions exhibit.
The fate of the Passenger Pigeon, and three other extinct North American bird species (Great Auk, Carolina Parakeet, and Heath Hen), are the focus of the new joint BHL/Smithsonian Libraries' exhibit at the National Museum of Natural History: Once There Were Billions

The exhibit represents the culmination of three years of work for its curators, Gilbert Borrego (former BHL Library Technician for Smithsonian Libraries) and Dr. Helen James (Curator in Charge, Division of Birds, National Museum of Natural History). The histories of these lost species are told through compelling narratives, taxidermied specimens (including Martha, the last Passenger Pigeon), books from the Smithsonian Libraries' collection (many of which are available digitally in BHL), and images from BHL.

Most people are unaware of how involved and sometimes challenging building an exhibit can be. Several years, countless meetings, copious research, and dozens of individuals are required to bring an exhibit from conception to public launch. Sometimes the most difficult part can be simply honing in on the exact story you want to tell.

Positioning the Great Auk in the exhibit.
"The most challenging part of the exhibit was narrowing down our source material," said Borrego. "The topic [of the exhibit] was originally much more general, focusing on extinct species. We knew Martha the Passenger Pigeon was to be included, but we looked at many other types of animals and plants before settling on the plight of birds from North America." 

Borrego first presented the proposal for "Once There Were Billions" in 2011, and since then he, James, and an army of scientists, librarians, and museum support staff defined the scope, drafted a script, selected specimens and images, and fashioned layouts for the physical and supplementary digital exhibits

Once all the foundational work was complete, it was time to bring the exhibit to life. Plaques fresh off the press, freshly-cleaned bird specimens, and carefully conserved books were artistically arranged within two mammoth exhibit cases in the Evans Gallery on the Ground Floor of the National Museum of Natural History. 

Adjusting the Carolina Parakeet specimens.
And voila! This specialized hub for extinction education opened to the public this past Monday, June 24, 2014, and will remain open until October, 2015. 

If you're visiting D.C., be sure to check out the exhibit. And if you're an art fan, take some time to see the massive bronze sculptures of the birds crafted by artist Todd McGrain as part of "The Lost Bird Project" and situated around the Smithsonian grounds. 

If you're not in the area, you can still enjoy "Once There Were Billions" via the online exhibit, by browsing digital versions of select exhibit books in BHL, or by downloading free, spectacular illustrations of the featured species.

Educating each and every person about the plight of biodiversity on our planet, and the repercussions of doing nothing, is a critical part of ensuring that today's species do not become just another extinction statistic. Exhibits like "Once There Were Billions" are just one way we can achieve this global awareness. But while you might not be in a position to build a museum exhibit, there are other ways you can help change the fate of doomed species. Supporting initiatives like BHL, which enable the research of scientists trying to document and conserve species around the world, helps prevent species decline. 

Everyone can make a difference. What will you do to help curb the tide of the Sixth Great Extinction Event?

- Grace Costantino | BHL Outreach and Communication Manager


Game Laboratory Tiltfactor Selected for the Purposeful Gaming and BHL Project

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BHL and the Missouri Botanical Garden are pleased to announce a major milestone reached in the project, “Purposeful Gaming and BHL”. Dartmouth College’s Tiltfactor was chosen to design the game that will help improve access to texts from the Biodiversity Heritage Library (BHL).


The Purposeful Gaming and BHL project is based at the Missouri Botanical Garden (MOBOT) in St Louis, Missouri. In the fall of 2013, MOBOT was awarded a $449,641 grant by the Institute of Museum and Library Services (IMLS) to test new means of using crowdsourcing and gaming to support the enhancement of texts from the BHL. Grant funding began in December 2013 and ends in December 2015. The Garden is partnering with Harvard University, Cornell University and the New York Botanical Garden on the project.

Principal Investigator for the project, Trish Rose-Sandler, reports that the project received "several strong bids for the design of the game so it wasn’t an easy decision. We are very excited to have found a great partner for this project because the game will be the critical component to improving access to digitized texts of the BHL." The project’s goal is to demonstrate whether or not online games are a successful tool for analyzing and improving digital outputs. Users will be presented words that are difficult for software to recognize as tasks in a game.

User engages with Zen Tag, one of Tiltfactor's games available via the Metadata Games platform.
Tiltfactor had several strengths that made their bid stand out, including extensive experience designing games for the education sector. “We were also impressed that not only do they design games but they do extensive research into the impact of those designs on players from a psychological perspective – they even have two social psychologists on their design team,” states Rose-Sander. Tiltfactor’s greatest strength, however, is arguably their work with crowdsourcing metadata as demonstrated in their Metadata Games platform, which entices players to engage with and help improve access to archival content found in cultural heritage institutions.

The folks at Tiltfactor were interested in bidding on the project for several reasons. "The 'Purposeful Gaming and BHL' initiative extends our work with metadata games creation to bring in the public to meaningfully participate in our nation’s robust archives," states Tiltfactor’s founding director, Dr. Mary Flanagan. "Games can be harnessed to provide fun experiences that also improve transcription and make bioheritage accessible to many more people. Tiltfactor is thrilled to work with BHL and their partners on an endeavor with such a high social return."

The two teams will begin working collaboratively on the design of the game in July of 2014, and it is expected that the game will be released publicly sometime in early summer of 2015.

To learn more about project details see http://biodivlib.wikispaces.com/Purposeful+Gaming.

This project was made possible in part by the Institute of Museum and Library Services [LG-05-13-0352-13].

Once There Were Billions: Carolina Parakeet

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At this time of year, those of us in the U.S. often find our eyes turned skyward to admire a brilliant array of colors lighting up the night sky in celebration of America’s independence.  Up until about a hundred years ago, a colorful display of another kind filled the North American skies, and not just on the fourth of July. Jewel-colored Carolina Parakeets (Conuropsis carolinensis) traveled in huge, noisy flocks from southern New York and Wisconsin to the Gulf of Mexico, favoring old forests along rivers. Although they looked tropical, Carolina Parakeets didn’t migrate south in the winter but weathered the cold.


The Birds of America: From Drawings Made
in the United States and Their Territories
John James Audubon
New York: J.B. Chevalier, 1840–44
http://biodiversitylibrary.org/item/125069#page/
447/mode/1up
    
As their forests were cut to make space for farms, the parrots were shot for feeding on crops and orchards. Trappers captured them to sell as pets, and hunters sold them as colorful decorations. Hat makers and clothiers prized the Carolina Parakeet’s brilliant plumage, using feathers or entire birds to decorate ladies’ hair, hats, and gowns. In 1886 alone, the hat trade claimed an estimated 5 million birds of various species—victims of fashion. By 1904, they were gone in the wild. The last Carolina Parakeet died in captivity in 1918.

While we can’t bring back the species and subspecies that have gone extinct, we can preserve and share our knowledge of them to help avoid future extinctions. The plight of the Carolina Parakeet is highlighted in Once There Were Billions: Vanished Birds of North America, a new exhibit at the National Museum of Natural History (NMNH).  Co-curated by BHL, Smithsonian Libraries, and NMNH, the exhibit includes illustrations from BHL and specimens from NMNH.  Research on extinct species—and extinction itself—depends on the taxonomic literature and natural history specimen collections to understand the morphology, distribution, and behaviors of lost species. Having access to this information can help scientists understand not only how different factors led to one species’ extinction but also how those same factors may impact other species.

The BHL currently provides access to over 44 million pages and over 91,000 images and is changing the face of research methodology. Scientists around the world are using BHL to identify and classify species, facilitate further scientific research, and support conservation efforts to prevent extinctions.  The ongoing growth of BHL is supported in part by our dedicated patrons whose gifts support the digitization of additional literature, and technical development of the program, and improvement of data curation.  To learn more about how your donation supports the continued growth of BHL, please visit http://archive.constantcontact.com/fs181/1103622715135/archive/1115465985290.html.  We hope you'll consider making a contribution today!

BHL at the 2014 American Libraries Association Annual meeting, Las Vegas, NV

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A number of BHL staff attended the 2014 Annual meeting of the ALA in Las Vegas, Nevada. BHL Program Director Martin Kalfatovic and BHL Program Manager Carolyn Sheffield attended and met with various vendors.

Kalfatovic also participated in a panel, along with Sandra McIntyre (Mountain West Digital Library) and Maura Marx (Institute of Museum and Library Services), "Librarians as Digital Leaders: Collaborating on the Development and Use of Digitized Collections". It was a very well attended session with well over 200 attendees. Kalfatovic's talk was "The Biodiversity Heritage Library: Collaborating Globally, Scanning Locally".

The National Library Board of Singapore (NLB)--one of BHL's Member institutions-- was also represented with an energetic session, Singapore Libraries: Trend Setters in Community Engagement and Collaboration, presented by NLB's Assistant Chief Executive & Chief Librarian Tay Ai Cheng.  The session also provided an opportunity for Kalfatovic and Sheffield to catch up with Stanley Tan, Deputy Director for Public Services who was among a delegation of NLB representatives who had visited the Smithsonian Libraries in November.

Also attending ALA from the BHL family were Kelli Trei (University of Illinois, Urbana-Champaign), Richard Hulser (Natural History Museum, Los Angeles County), Ronnie Broadfoot (Museum of Comparative Zoology, Harvard University), Suzanne Pilsk, and Gil Taylor (both Smithsonian Libraries).

Also attending was the “Martha”, an origami passenger pigeon that is helping promote the Smithsonian Libraries exhibition, Once There Were Billions (in which the “real” Martha, the last Passenger Pigeon, and a National Museum of Natural History specimen, has a starring role!). Martha is posing here with comedian Paula Poundstone at the "Laughs on Us" event at ALA.


Once There Were Billions: Heath Hen

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To help tell the story of four extinct bird species, BHL and the Smithsonian Libraries co-curated an exhibition--Once There Were Billions: Vanished Birds of North America--at the National Museum of Natural History.  The exhibit runs through October 2015 and provides insights into the fragile connections between species and their environment.  If you're not in the area, you can still enjoy the online exhibit or browse digital versions of the select exhibit books in BHL. You can also follow along here on the BHL blog where we're showcasing each of the four species, starting with the Great Auk and the Carolina Parakeet.  This week, we're highlighting the Heath Hen.

Feathered Game of the Northeast. Walter Herbert Rich,
New York: T.Y. Crowell & Co, 1907
Heath Hen: Early Signs of Trouble
During colonial times, Heath Hens (Tympanuchus cupido cupido) flourished among the heathland barrens of coastal North America from Maine to Virginia. Tasty and easy to kill, they were popular among early settler, and their numbers quickly declined from overhunting, habitat loss, and disease.

In 1791, the New York State legislature introduced a bill calling for the preservation of Heath Hens and other game, but it couldn't be enforced.  After the birds disappeared from the mainland, a Heath Hen sanctuary was established on Martha's Vineyard in 1908. The sanctuary was home to the entire Heath Hen population--50 birds in all. By 1915, they numbered 2,000. But when a fire destroyed the sanctuary's habitat in 1916, their numbers dwindled. The last one died in 1932.

Extinctions are often most visible to us when they affect a highly visible species in our communities, especially if there are repercussions for our food sources or income. But extinctions can also have far-reaching impacts that may not be as immediately visible.

Understanding Biodiversity and Supporting Research
One way to foster a better understanding of biodiversity and its significance is to support organizations like the Biodiversity Heritage Library. BHL is a global project that is changing the way research is done, by digitizing and providing open access to biodiversity literature.  BHL makes more than 44 million pages and over 90,000 scientific illustrations--of animals and plants, living and extinct--freely available to scientists and others around the world. BHL relies on donations from individuals to support scanning of the biodiversity literature held in some of the world's most renowned natural history and botanical libraries. To learn more about how your donation supports the continued growth of BHL, please visit http://archive.constantcontact.com/fs181/1103622715135/archive/1115465985290.html.  We hope you'll consider making a donation today!

From Billions to None: The Story of the Passenger Pigeon

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Ohio, 1854. A dense, black shadow begins to creep across the northern edges of the horizon, slowly but incessantly blotting out a bright cerulean sky. Residents take notice, and pour out of their homes and businesses to stare in wide-eyed awe and trepidation at the phenomena edging towards them.

Hours pass, and the sky is hurled into unwavering darkness. Finally, as the day fades, the sun itself succumbs to this nameless power.

Men and women fall to their knees in prayer, begging for deliverance from the Revelational apocalypse. A thundering roar, like the beating of a million drums, assaults the kneeling petitioners, and their fingers turn icy as an arctic gale whips around their bodies.

A lone figure, hunting rifle in hand, stands atop a hill and stares at the pitiful scene before him. Shaking his head, he lifts his muzzle, peers straight and true through his sights, and pulls the trigger. Dozens of shapes, like tiny meteors, break away from the mass overhead and plummet towards the earth. Swinging his weapon over his shoulder in satisfaction, he picks up a burlap sack and swaggers towards the fallen celestial bodies. As he stoops and retrieves one of the mysterious figures, a pair of slate wings unfurls. He stuffs the Passenger Pigeon unceremoniously into his bag and moves on to the next bird.

Mark Catesby's 1754 illustration of the Passenger Pigeon is thought to be the first published depiction of the species. The Natural History of Carolina, Florida, and the Bahama Islands. v. 1. 1754. http://biodiversitylibrary.org/page/10900155

Ohio, July 1914. A ten year old boy sidles through a mob of men, women, and children ogling exotic animals at the Cincinnati Zoological Garden. Desperate to find a quite haven to escape the crowd, the child slips around the corner and finds himself staring directly into a pair of bulging eyes. Startled, he jumps back, and the eyes tilt sideways in response, as though curious about this new creature.

The Passenger Pigeon amongst some of her relatives. Pigeons and Doves together constitute the bird clave Columbidae, containing about 310 species. A Book of Birds. 1908. http://biodiversitylibrary.org/page/13504819
Brow furrowed, the boy takes a timid step forward, mesmerized. What he had momentarily mistaken for the glare of some ferocious predator he realizes is simply the quizzical stare of a rather drab looking bird. Her feathers, ever so slightly ruffled, are an unimposing brown dotted with gray and black. She stands with her back to him, her head facing him atop a neck turned 180 degrees like a broken porcelain doll.

"So I see you found Martha," a deep voice rumbles behind him.

Startled again, the boy turns and finds a gray-haired, mustached zoo keeper standing behind him.

"Martha?" he responds, confused.

"Martha, our passenger pigeon. She's the last of her kind, you know. When she dies, a whole species will go extinct."

Frowning, the boy turns again to look with new appreciation into the eyes of this modest animal. Unexpectedly, he is filled with sorrow. She may not be as exciting as a dinosaur or as fierce as a saber-tooth tiger, but she looks very innocent and very lonely.

A surge of purpose rises up in his chest.

"Can't we do anything to help her?" he asks fervently.

The man shakes his head sadly.

"It's too late. Maybe we could've done something forty years ago, when people first realized they were in trouble. But now, there's nothing we can do."

The boy turns back despondently. She was the very last of her species, and it was too late to do anything to save her. Why hadn't anyone done something when there was still time?

Losing interest in the boy, Martha turns her head, puffs up her chest, and tucks her beak tightly into her breast. She'd had enough of humans for one day.

The Fall of a Mighty Empire: The Passenger Pigeon


Two hundred years ago, the Passenger Pigeon (Ectopistes migratorius) was the most abundant bird species in North America. A population numbering in the billions, as much as 40% of all land birds on the continent shared the same genome as Martha. Migrating flocks were so large that they literally blocked out the sky, stretching up to a mile wide and 300 miles long and taking 14 hours to pass a single point. Flocks were so densely packed that a single shot could bring down dozens of birds. The beat of up to 3.5 billion pairs of wings literally created its own cold front below, and those unaccustomed to the marvel feared the end of the world was upon them.

So many Passenger Pigeons would pile into a single tree that branches would snap off or entire trees would tumble to the forest floor. The one in this picture looks to be leaning precariously...
The Birds of North America. 1903. http://biodiversitylibrary.org/page/35159567
Nesting colonies were just as large, covering several hundred square miles of forest. A single tree often contained up to 100 nests, causing many to topple over at the sheer weight of an aviary kingdom. By the end of the nesting season, blankets of pigeon droppings several inches thick saturated the forest floors. However, while colonies were staggeringly massive, a mating pair of passenger pigeons produced only one, occasionally two, eggs per season.

The Passenger Pigeon was nearly twice as large as the common city pigeon, with males averaging 16 inches in length and up to 12 ounces in weight. Frames built for speed and maneuverability, the birds could reach up to 60 mph, making them ideal targets for not only hunting parties but simple target practice. The onset of large-scale commercial hunting and railroads for distribution turned a sustainable hunting practice into a frenzied genocide. In 1869, Van Buren County, Michigan, alone shipped 7.5 million passenger pigeons to the east, where they sold for mere pennies.

The dangerous decline of the species was noted as early as the 1850s, but cheap meat and a seemingly endless supply of birds dampened any resolve to implement hunting restrictions. In 1896, a majority of the last wild flock of 250,000 birds were killed during a sporting event heralded as the "last chance to shoot the passenger pigeon in the wild." On March 24, 1900, a 14-year old boy killed the last known wild Passenger Pigeon in Pike County, Ohio.

From billions to none in less than 100 years.

Remembering Martha


Martha is ready for her close-up! The Smithsonian Institution has created a 3D scan of Martha and made it available as an interactive 360 view online. Image author: Donald E. Hurlbert, 6/23/2014. Image copyright Smithsonian Institution. 
Martha the Passenger Pigeon is perhaps one of the most famous animals in the world, for she is a tangible reminder of the human capacity to decimate biodiversity. At nearly 30 years old, Martha, the very last of her species, died at the Cincinnati Zoological Garden at about 1pm on September 1, 1914. Immediately after her death, she was entombed in a 300 pound block of ice and shipped to the Smithsonian, where she was taxidermied.

In remembrance of the centennial of her death, Martha is on display at the Smithsonian's National Museum of Natural History until October, 2015, as part of  the joint BHL/Smithsonian Libraries exhibit: "Once There Were Billions." The exhibit documents the tragic histories of four extinct North American birds: the Passenger Pigeon, Great Auk, Heath Hen, and Carolina Parakeet.

Millions of people have rallied to commemorate the Passenger Pigeon this year, and help raise awareness about endangered species, extinction, and the impact of human activity on healthy ecosystems. The "Fold the Flock" initiative is an effort to recreate the staggering passenger pigeon flocks of the 19th century through origami pigeons. "The Lost Bird Project" has created a film and book to investigate extinction and memory. Also as part of the project, Todd McGrain has crafted stunning bronze sculptures of extinct birds, including the passenger pigeon, which are on display across America.

Join the cause to recreate the Passenger Pigeon flocks of the 19th century with Fold the Flock

Other initiatives like Project Passenger Pigeon, the film From Billions to None, and a multitude of exhibits nationwide are working to raise awareness about extinctions and excite action to prevent future biodiversity calamities.

Finally, as always, BHL is here to help! Find books about the Passenger Pigeon and illustrations of the species for free from BHL.


How Can Historic Literature Help Modern Scientists Save Species?


Male (lower) and female (upper) Passenger Pigeons. As with most bird species, the male is more brightly-colored than the female.
The Birds of America. v. 5. 1842. http://biodiversitylibrary.org/page/40419582
Reports, illustrations, and photographs in historic literature and taxidermied specimens are the only remaining record we have of extinct species. Thus, preserving this knowledge is important simply as a means of documenting the biodiversity we have lost. But retaining and providing access to this legacy literature is not just about creating a memorial for extinct species. It's also about helping to prevent future extinctions.

Historical records allow scientists to study the morphology, behaviors, habitats, diet, and breeding patterns of species, which help determine where those species might be vulnerable and inform strategies for rehabilitating endangered populations. Similar information about extinct species, and an evaluation of the circumstances that led to their demise, can help scientists identify threats to similar species. Records of migration pathways and changes in distribution patterns allow scientists to provide educated recommendations to policy makers about the lands and species to protect.

Without a concrete evaluation of earth's biodiversity history, and an understanding of the mistakes we have made in the past, we are doomed to repeat our darkest moments. But just as humans have a capacity to annihilate a species, so have we the power to save one (take the American Wolf, for example). Supporting initiatives like the Biodiversity Heritage Library gives scientists, policy makers, and concerned citizens the information they need to protect life on earth. Take a look at what your donation can do, and we hope you'll consider giving a tax-deductible gift today.

- Grace Costantino | BHL Outreach and Communication Manager

Growing Globally: Digitization Developments in Africa

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From left to right: Cindy-Lee Daniels  and Lidia Swart (staff at the Digitization Office, Library Services, University of Pretoria); Gemma Waterston (IA Satellite Coordinator) and Robert Miller (Director of Global IA)
On April 15, 2013, during a ceremony hosted at the South African National Biodiversity Institute (SANBI) at the Pretoria National Botanical Garden in Pretoria, South Africa, BHL-Africa officially launched as our sixth global node. Working within the BHL consortium, BHL-Africa aims to provide open access to the valuable information held in Africa’s biodiversity institutions. For the past two years, SANBI and the University of Pretoria in South Africa have been working with Internet Archive (IA) to contribute content to BHL through existing protocols and workflows.

In April, 2014, two Internet Archive scanning machines, called “scribes,” were shipped to the University of Pretoria to facilitate local digitization efforts. To help install the machines and provide operational training, Robert Miller (Director of Global IA) and Gemma Waterston (IA Satellite Coordinator) traveled to the University of Pretoria in June. The trip culminated in the successful scanning of the first BHL-Africa book digitized through an IA machine. Scanned in just 40 minutes, the 500-page book represents the first of many contributions soon to come. These contributions will be incorporated directly into the existing BHL corpus, expanding our extensive collection of over 43 million pages.

Following the South African trip, Miller journeyed to Nairobi, Kenya, where he presented to a coterie of our Kenyan colleagues vested in the BHL-Africa initiative. During a presentation at the Louis Leakey Auditorium, Miller highlighted collaborative opportunities for digitization that would allow Kenyan content to be incorporated into the BHL collection.

We are excited about these developments, and look forward to many more contributions from our colleagues in Africa! In celebration, enjoy this collection of BHL images highlighting African biodiversity.

Get the flash player here: http://www.adobe.com/flashplayer

Happy Moth Week!

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Happy Moth Week! National Moth Week is an annual event that celebrates the diversity and magnificence of moths. By partnering with online biological databases, National Moth Week encourages everyone to become a citizen scientist by helping map moth distributions and provide information about these amazing species.

BHL is celebrating moth week by highlighting select species gleaned from one of our favorite BHL books: Butterflies and Moths: Shown to the Children (1910), by Janet Harvey Kelman, with descriptions by Rev. Theodore Wood.

Satisfy all your moth curiosity with free moth images from BHL in our Flickr Moth Collection and books on moths in BHL. Learn more about Moth Week and find out how you can get involved.


http://biodiversitylibrary.org/page/42193530
Death's Head Hawk (Acherontia atropos)
There are three species of Death's Head Hawk moths, but the European species is the best known. Characterized by the skull-shaped markings on its thorax, these are very large moths, with wingspans of 3.5-5 inches. The moth is capable of "squeaking" vocalizations, and commonly raids beehives for honey. By mimicking the scent of bees, it is able to prowl through the hives unmolested. 

The moth's association with death extends to its name. The genus name, Acherontia, is derived from the river Acheron in Greek mythology - one of the five rivers of the underworld associated with pain. The species name, atropos, comes from the name of one of the Greek Moirai, goddesses of fate and destiny. 

Fun Quote from Butterflies and Moths
"And if you meet with [the Death's Head Hawk], and pick it up, you will be surprised to find that it can squeak quite loudly! Stranger still, the chrysalis can squeak too, and so can the moth ! Indeed, if you pick up a Death's Head Hawk Moth it will go on squeaking very much like a mouse all the time that you hold it in your hand!" (pg 39)

http://biodiversitylibrary.org/page/42193554
Wood Leopard (Zeuzera pyrina
Though found primarily in Europe and northern Africa, the Wood Leopard was introduced to America prior to 1879 and can now be found from Maine to Pennsylvania. With a wingspan measuring from just over 1 to just over 2 inches, this species boasts a distinctive, fury white thorax with six black spots and Dalmatian-esque black and white wings.

Fun Quote from Butterflies and Moths
"You may sometimes see [the Wood Leopard] resting on the trunks of trees in July and August. Then, if you examine the tree-trunk carefully, you are almost sure to find the entrance to the burrow out of which it came; for the caterpillar of this moth is one of those which feed on the solid wood of trees. The female moth lays her eggs in the crevices of the bark, and as soon as the little caterpillars appear they nibble their way into the trunk with their powerful jaws, and there live for several months, burrowing backwards and forwards, day after day, till sometimes the wood is almost honeycombed with their tunnels." (pg 50)

http://biodiversitylibrary.org/page/42193610
The Puss Moth (Cerura vinula)
Found throughout Europe, North Africa, and temperate Asia, the Puss Moth has a 2-3 inch wingspan and feeds on willows and poplars. With a flight period extending from April to August, the pupa winters the cold months in a wood-reinforced cocoon. The light green caterpillar exhibits a defensive pose that involves rearing its bright-red head and extendable flagellae on its rear (as seen in illustration). If a predator fails to regard this warning, the caterpillar will squirt formic acid.  

Fun Quote from Butterflies and Moths
"This fine and handsome moth is called the 'Puss,' because, when its wings are closed, it looks rather like a brindled cat. And there are two or three smaller moths which are a good deal like it; so these are known as 'Kittens.'" (pg 79).
 
http://biodiversitylibrary.org/page/42193628
The Old Lady (Mormo Maura)
Found throughout northwestern Africa and Europe, the "Old Lady" or "Black Underwing" moth measures about 2-2.5 inches in wingspan. Found mostly near water, it hides by day and is not particularly attracted to light. It is, however, attracted to sugar, and feeds on the leaves of various fruit trees.   

Fun Quote from Butterflies and Moths
"If you were to ask me why this moth should be called the 'Old Lady,' I am not quite sure that I could tell you. But I think the reason must be that old ladies mostly dress in dark grey, or dark brown, or black, which are just the colours of the wings of the moth."(pg 88)

Be sure to check out Butterflies and Moths: Shown to the Children in BHL for more fabulous moth (and butterfly) facts and images. Don't forget to find out how you can become a citizen scientist as part of Moth Week this week!

Privet Hawk Moth (Sphinx ligustri), which will hiss at you if you make him mad. http://biodiversitylibrary.org/page/42193534

- Grace Costantino
Outreach and Communication Manager | Biodiversity Heritage Library

BHL Welcomes Two New Affiliate Members

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We are pleased to announce that the Research Library at the Natural History Museum of Los Angeles County and the Lenhardt Library of the Chicago Botanic Garden have joined the Biodiversity Heritage Library as BHL Affiliates. The addition of these libraries not only expands BHL’s presence within the research community, but will also greatly strengthen our library through the incorporation of literature unique to these affiliates’ collections.

The Research Library at the Natural History Museum of Los Angeles County (NHMLAC) holds over 200,000 books, journals, maps, rare books and Special Collections materials pertaining to a variety of natural history fields. With such a rich collection of biodiversity-related materials, and a research staff that already makes heavy use of BHL resources, an active partnership with BHL was a logical step for NHMLAC.

“I was very excited to attend the BHL Life and Literature meeting in Chicago a few years ago and realize that so many librarian and other colleagues of similar institutions were there,” said Richard Hulser, Chief Librarian of the NHMLAC Research Library. “I believe participation in BHL will help heighten awareness of NHMLAC unique resources to a wider audience and enable my institution to contribute to the exciting new digital library and big data initiatives currently transforming the study of natural history.”

Within its affiliate capacity, NHMLAC aims to contribute missing volumes for existing titles within BHL, as well as other works not yet part of BHL. Hulser will also leverage his existing relationships in the natural history and library communities to help increase awareness about BHL, as through his scheduled presentation for Internet Librarian International in the UK in October 2014.

The Lenhardt Library of the Chicago Botanic Garden holds 125,000 volumes pertaining to gardening, botany, plant conservation, and landscape design, with formats ranging from rare books to e-books. As part of its affiliation, the Lenhardt Library plans to contribute digitized rare books and journals to BHL, as well as missing issues from titles currently in our collection.

“I am so pleased that the Lenhardt Library has the opportunity to share its unique digitized botanical literature with a subject-specific audience of biodiversity researchers,” said Leora Siegel, Lenhardt Library Director. “BHL is innovative, and I look forward to learning more about its offerings and other potential avenues for contributing resources.”

With the addition of NMHLAC and Chicago Botanic Garden, BHL now recognizes four affiliate institutions. BHL Affiliates are institutions or organizations that wish to participate in BHL outside of the membership dues-paying structure. Affiliates can contribute content, provide technical services, and participate in BHL committees, task forces, and working groups.

In addition to its affiliates, BHL currently consists of 16 member libraries. BHL Members may contribute content to BHL, participate in appropriate groups and committees, provide technical services, contribute financial support, vote on strategic directives, and generally help govern the BHL program. Visit BHL to learn more about BHL Members and Affiliates.

We are excited to welcome the NMHLAC and the Chicago Botanic Garden to the BHL family, and look forward to the valuable contributions they will make to our library. Follow us on Twitter and Facebook to receive updates about BHL Member and Affiliate contributions and events.

The Latest News from BHL!

The Walrus as you Never Knew Him

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Conrad Gessner's Walrus. 1558. Historia Animalium. http://biodiversitylibrary.org/page/42165842

Conrad Gessner desired to reconcile ancient knowledge about the animal kingdom with the modern discoveries of the Renaissance. This endeavor spurred him to produce his magnificent Historia Animalium, a work synonymous with the beginning of modern zoology. This five-volume masterpiece covered the subjects of "live-bearing four footed animals" (mammals), "egg-laying quadrupeds" (crocodiles and lizards), birds, fish and sea creatures, and a fifth posthumous volume on snakes and scorpions.

Compiling knowledge from Old Testament, Greek, Hebrew and Latin sources, Animalium boasts a rich collection of woodcut illustrations - something uncommon in other contemporary natural history publications. Gessner repurposed images from many famous researchers of his time, including Olaus Magnus, Guillaume Rondelet, Pierre Belon, Ulisse Aldrovandi, and Albrecht Durer. Their existing images were carved into woodblocks by craftsmen, which were used to "stamp" the reproductions onto designated pages within the text blocks.

Though Gessner intended to produce an authoritative encyclopedia of scientific knowledge about the natural world, his five volumes do include mythical beasts and fancifully-rendered factual creatures. Many of the more exotic of the species he depicted were based on textual or second-hand accounts, explaining the sometimes substantial divergence from reality.

Case in point: The Walrus.

Olaus Magnus' Walrus. 1555.  
Historia de Gentibus Septentrionalibus.
http://biodiversitylibrary.org/page/41862934
Gessner's Walrus comes from descriptions by Olaus Magnus in his work on the northern European ocean: Historia de Gentibus Septentrionalibus(1555). Basing his description on Albertus Magnus' thirteenth century accounts of walrus hunting and reports from two more recent travelers to Russia (Maciej z Miechowa, 1517, and Paolo Giovio, 1525), Olaus recounted the walrus as "a mighty fish, as big as an elephant, called morse or rosmari" that was capable of climbing mountains. The rendering he provided for the creature depicted a beast with legs and tusks in its lower jaw.

Gessner voiced some hesitations about Magnus' representation of the Walrus. Writing that he believed Olaus based many of his creatures on sailors' accounts rather than life studies, Gessner reasoned that "fish don't have feet." Since common wisdom of the day, and even Olaus himself, grouped Walrus with fish, it was an understandable concern. Nevertheless, Olaus was a well-respected authority, with a good family lineage and a travel resume that had brought him further north than any of his intellectual European contemporaries. Thus, Gessner included two illustrations in his work, one closely resembling Olaus' beast and another more recognizable as the pinniped we know today.

Gessner Walrus, resembling Magnus' image. 1558. Historia Animalium. http://biodiversitylibrary.org/page/42165841
The inaccurate renderings of Magnus and Gessner's Walrus, and many other Walrus depictions of thetime, may have originated in part from confused reports on ivory sources. The ivory trade in China consisted of a combination of elephant, walrus, and narwhal tusks. Practically no documentation was kept regarding the source of the ivory, and while the European ivory trade was more segmented among source types, the Scandinavians, Russians, and Nenets that supplied the western trade did not share information readily. Thus, natural historians like Olaus Magnus likely tailored their depictions to reconcile the vague second-hand accounts they received with the appearance of other animals they knew produced ivory tusks - elephants. Indeed, many other Walrus portraits of the day (such as those by Waldseemüller and Fries) portray the animal in a much more elephant-like manner, complete with long legs, floppy ears, and, in the case of Fries, even a trunk.

Thus, all things considered, though we today may look at Gessner's Walrus and giggle, his was actually a much more accurate representation of the animal than many alternative sources in his time. Despite the factual deviations itmay contain, "for an understanding of the history of zoology and a peek at some truly fascinating and five-hundred-year-old illustrations, there is no better historical guide than Conrad Gessner's Historia Animalium." (Ellis, pg. 2).

And, come on, Gessner's Walrus is pretty adorable!

Grace Costantino
Outreach and Communication Manager | BHL

Sources:

BHL Update at the 2014 North American GBIF Meeting

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The North American Regional Node Meeting of the Global Biodiversity Information Facility (GBIF) occurred in Ontario, Canada on July 21-22, 2014. The meeting, themed "Advancing Informatics, Engagement and Content," focused on progress updates and ongoing implementation tactics for the North American regional strategy. Discussions included the use of digital object identifiers (DOIs), collections and specimens in the GBIF context, organizational structure, and membership in both GBIF and the North American node. BHL's Program Director, Martin Kalfatovic, provided a "BHL Update for GBIF" via video-conference on July 22.

GBIF is an international open data infrastructure that "allows anyone, anywhere to access data about all types of life on Earth, shared across national boundaries via the Internet." GBIF operates through a network of nodes to coordinate biodiversity information facilities and "encourage institutions to publish data according to common standards." The GBIF vision, "A world in which biodiversity information is freely and universally available for science, society, and a sustainable future," is remarkably similar to BHL's own vision to "inspire discovery through free access to biodiversity knowledge." Such commonalities underpin a natural cooperation between the two programs.

Kalfatovic's presentation outlined BHL's history and recent  organizational, collections, usage, and technological developments. Addressing some of the meeting's specific themes, Kalfatovic also described BHL's work with DOIs, including the current restriction to monographs and ongoing investigations into alternatives for remaining content types. The presentation also highlighted some of BHL's collaborative efforts, including participation in the Digital Public Library of America (DPLA), the Bouchout Declaration, and work with Field Books. The presentation as a whole demonstrated how BHL's successful unification of technology, libraries, and science has produced an open access knowledge repository integral to the work of researchers, conservators and scientists around the world.

Through the continued dedication and cooperation of initiatives like BHL and GBIF, a future where all scientific knowledge is freely available to everyone, everywhere will soon be not just a dream but a much-anticipated reality. Welcome to the future of scientific discovery.

View Kalfatovic's Presentation:
BHL Update for GBIF. Martin R. Kalfatovic. Advancing Informatics, Engagement and Content. North American Regional Node Meeting of the Global Biodiversity Information Facility. University of Guelph, Ontario, Canada. 22 July 2014.

BHL Africa Report from Internet Archive's Global Director

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Since it's initial organization in 2012 and launch in 2013, BHL Africa has been hard at work developing a strategy, framework, and methodology for contributing the valuable biodiversity information held within the node's participating institutions to BHL. Significant progress occurred in April and June, 2014, with the arrival and subsequent installation of Internet Archive scanning machines at the University of Pretoria in South Africa.

Robert Miller presenting at National Museums of Kenya
Robert Miller, Global Director of the Internet Archive, and his colleague Gemma Waterston (IA Satellite Coordinator) traveled to South Africa in June to provide installation support and operational training for the new machines. Following a successful instatement, Miller then traveled to the National Museums of Kenya (NMK) in Nairobi to discuss digitization and collaboration opportunities.

"Over many years,  I have had many wonderful opportunities to live (Asia, Europe and North America) and travel to many countries (45, in fact, prior to this trip)," commented Miller. "My trip to Kenya (country 46) was made all the more special by the warm welcome and hospitality I received by Ashah Owano [Resource Centre Manager, NMK] and Lawrence Monda [ICT Manager, NMK] and their staff at the National Museums of Kenya in Nairobi, Kenya. They arranged for me to present and talk with representatives of over 25 different institutions and present the work that the Internet Archive has done with the global BHL family."

Robert Miller with representatives from NMK
Miller's presentation highlighted Internet Archive's work to bring books and media to people all over the world. Since its inception, BHL has partnered with IA for digitization and access support, contributing to IA's current 19 petabytes of available data. Miller's visit was a valuable opportunity for our Kenyan colleagues to better understand the services and options available to them and for Miller to form new global relationships.

"What will I remember?" pondered Miller in response to a request for information on his presentation and experiences in Kenya. "That a wonderful Museum system exists in Kenya, an amazing collection of content is found there and, most importantly, a great group of passionate people are working hard to share their world with the global community. I am so excited to build on this first meeting and hope to return soon."

We're excited to see where these newly-forged connections within a long-standing relationship between BHL and IA lead as well. One thing we know for sure: with the passion and determination of our African colleagues guiding an ambitious effort to provide open access to African biodiversity knowledge through BHL, our goal to become the "largest reliable, reputable, and responsive repository of biodiversity literature and archival materials" is now one step closer to becoming a full-fledged reality.

*All pictures courtesy Robert Miller

The Sea Dog: Exploring Man's Discovery & Classification of the Shark

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It's that time of year again! That special week set aside to celebrate the fabulously diverse Selachimorpha clade: Shark Week!

If you were to ask an average person to differentiate between a tiger shark, Great White, whale shark, bull shark, or mako, most could probably do so, or would at least be aware that such varieties existed. This wasn't always the case. A mere six hundred years ago, sharks were known only by the bizarre personas recounted by animated sailors. And even when more accurate depictions and accounts began to circulate, the world was completely ignorant of the vast diversity of these creatures. A shark, generally, was a shark. It took an army of people, and several hundred years, to even begin to comprehend these magnificent fish, and we've still only scraped the surface.

The Shark in Myth

A selection of monsters that supposedly plagued the Atlantic Ocean. By Abraham Ortelius. 1570. Theatrum Orbis Terrarum
Eleven hundred years ago, man was just starting to venture boldly into the open oceans. At that time, and throughout the Middle Ages, the sea was a place of mysticism and superstition, with countless tales of leviathans, monsters, and spirits plaguing the waters. Researchers believe many of these tales were actually based on real creatures, however exaggerated. Some of the beasts may have been at least partially informed by shark sightings.

Conrad Gessner (the man behind our strange walrus a few weeks ago) depicted the Ziphius in his 1560 work Icones Animalium. Many researchers believe the beast with the back fin may be a Great White, due in part to the unfortunate seal in its jaws. The porcupine-fish taking a bite out of the Ziphius' side? The jury's still out on that one...

The Ziphius. Conrad Gessner. 1560. Icones Animalium.

Caspar Schott's 1662 beast is equally fanciful, but the teeth and jaws suggest that it may be inspired in part by a shark.

A shark? Caspar Schott. 1662. Physica Curiosa.

Despite limited contact with sharks, or perhaps because of it, artists generally portrayed the fish as ravenous man-eaters. Olaus Magnus' 1539 Carta Marina shows a hapless man besieged by a gang of sharks. Fortunately for him, a kind-hearted ray-like creature has come to the rescue.

Olaus Magnus. 1539. Carta Marina

Also in the Middle Ages, fossilized shark teeth were identified as petrified dragon tongues, called glossopetrae. If ground into a powder and consumed, these were said to be an antidote for a variety of poisons.

The Shark as a Sea Dog

By the time of the Renaissance, the existence of sharks was more generally known, though their diversity was woefully underestimated. Only those species that were clearly distinct based on color, size, and shape - such as hammerheads, blue sharks, and smaller sharks such as dogfish - were distinguished. As for the Lamnidae - Great Whites, makos, and porbeagles - these were identified as a single species.

In the 1550s, we see the Great White debut to an audience that would remain captivated by it for hundreds of years, though under a rather strange monicker.

In 1553, Pierre Belon, a French naturalist, published De aquatilibus duo, cum eiconibus ad vivam ipsorum effigiem quoad ejus fieri potuit, ad amplissimum cardinalem Castilioneum. Belon attempted the first comparative analysis of sharks, and presented 110 species of fish in a much more realistic light than previously provided. In addition to a hammerhead, Belon included a woodcut of a shark he named Canis carcharias.

Canis carcharias. Pierre Belon. 1553. De aquatilibus duo. 

Some readers may recognize that "Canis" is the genus currently assigned to dogs. Belon was not attempting to classify sharks with dogs by asserting this name. Indeed, systematic classification based on ranked hierarchies would not come onto the scene for over two hundred years. The common practice at this time was to choose descriptive names based on physical characteristics. Colloquial speech referred to sharks as "sea dogs," and carcharias comes from the Greek "Carcharos" (ragged), which Belon associated with the appearance of the shark's teeth.

De Lamia. Guillaume Rondelet. 1554. Libri de Piscibus.

In 1554, French physician Guillaume Rondelet gave us another illustration of a Great White, under the name De Lamia (a child-eating demon in Greek mythology). Publishing Libri de Piscibus Marinis, Rondelet described more than 440 species of aquatic animals. Along with his illustration, Rondelet conveyed a tale of one specimen found with a full suit of armor in its belly. He also proposed that it was this fish, and not a whale, that was the culprit behind Jonah's Biblical plight. A whale, he postulated, did not have a throat wide enough to swallow a man whole and regurgitate him later.

Hammerhead and Catsharks. Ippolito Salviani. 1554. Aquatilium Animalium Historiae

That same year, Ippolito Salviani published another book on fish, Aquatilium Animalium Historiae, replete with engravings that included the hammerhead and (most likely) catsharks.

Though Conrad Gessner may have published accounts of many mythical beasts (such as the Ziphius in 1560), his 1558 work Historia Animalium (2nd edition linked here) was an attempt to give a factual representation of the known world of natural history. Within it, he included a much more recognizable illustration of the Great White (under both names Lamia and Canis carcharias). The study was based on a dried specimen, thus accounting for the rather desiccated appearance.

Gessner's Lamia. Conrad Gessner. 1604. Historia Animalium (2nd edition). 
Finally, in 1569, the word "Sharke" finally finds its place in the English language, popularized by Sir John Hawkins' sailors, who brought home a shark specimen that was exhibited in London that year.

Influenced by the violent, and commonly exaggerated, stories circulated by sailors and explorers, general perception pegged sharks as ravenous beasts intent on devouring everything in sight.

Sharks and the "Modern" Era

By the 1600s, a more widespread attempt to classify fish according to form and habitat, and a fresh curiosity in shark research and diversity, found a footing in scientific research.

In 1616, Italian botanist Fabio Colonna published an article, De glossopetris dissertatio, in which he postulated that the mystical glossopetrae were actually fossilized shark teeth. The article had little impact, but in 1667, following the dissection of a Great White shark head, Danish naturalist Niels Stensen (aka Steno) published a comparative study of shark teeth, theorizing for the first time that fossils are the remains of living animals and again suggesting that glossopetrae were indeed fossilized shark teeth.

In the mid-1700s, a famous figure emerged. In 1735, Swedish botanist and physician Carl Linnaeus published his first version of Systema Naturae, at a mere 11 pages. Within this first edition, he classified sharks in the group Condropterygii, along with lampreys and sturgeon.

Linnaeus continued expanding his classification system, and in 1758 he published the tenth edition of Systema Naturae - the work we consider the beginning of zoological nomenclature. Within this edition, Linnaeus introduced binomial nomenclature, a naming scheme which identifies organisms by genus and species, with an attempt to reflect ranked hierarchies. This system provides the foundation of modern biological nomenclature, which groups organisms by inferred evolutionary relatedness.

Squalus carcharias. Carl Linnaeus. 1758. Systema Naturae (10th ed.).

Within Systema Naturae (10th ed.), Linnaeus identified 14 shark species, all of which he placed in the genus Squalus, which today is reserved only for typical spurdogs. He also presents his binomial for the Great White: Squalus carcharias. And he, like Rondelet before him, suggests that it was indeed a Great White that swallowed Jonah whole in ancient times.

Squalus carcharias. Marcus Bloch. 1796. Allgemeine Naturgeschichte der Fische.

By the late 1700s, we see a greater attempt to distinguish between the varieties of white sharks. From 1783-1795, Marcus Elieser Bloch published twelve volumes on fish under the title Allgemeine Naturgeschichte der Fische, with 216 illustrations. His Great White, perhaps the first in color, bears Linnaeus' name. And in 1788, French naturalist Pierre Joseph Bonnaterre gave the porbeagle shark its first scientific name, Squalus nasus, distinguishing another "white shark" as a distinct species.

Squalus. Bernard Germain de La Cepede. 1798. Histoire Naturelle des Poissons.

French zoologist Bernard Germain de La Cepede grouped sharks, rays, and chimaeras as "cartilaginous fish," identifying 32 types, in his 1798 work Histoire Naturelle des Poissons. He describes the "white shark" as the largest shark (a distinction truly held by the whale shark).

Selachians. Georges Cuvier.
The Animal Kingdom (1837 ed.).
In his 1817 work The Animal Kingdom, French anatomist Georges Cuvier listed sharks as "selachians," a term still in use today as the clade including sharks: Selachimorpha.

In 1838 we see the first use of the modern Great White genus name. Scottish physician and zoologist Andrew Smith proposed the generic name Carcharodon in a work by Johannes Müller and Fredrich Henle (linked here in Smith's later 1840s publication), pulling together the Greek "carcharos" (meaning ragged and used in the association by Belon nearly 300 years earlier) and "odon" (Greek for "tooth"). Thus, Smith was proposing a name meaning "ragged tooth."

Finally, in 1878, Smith's genus name "Carcharodon," and Linnaeus' species name "carcharias" were pulled together to form the scientific name we know the Great White by today: Carcharodon carcharias.

Thanks to the dedication and curiosity of past naturalists and contemporary taxonomists, we're now aware of the incredible diversity of sharks. There are over 470 species known today; that's quite a leap from the mere 14 species identified by Linnaeus over 250 years ago!

Want more Shark content? Get over 350 free shark illustrations in the BHL Flickr collection, and browse dozens of historic books on sharks in our BHL and iTunes U collections. You can also explore the incredible diversity of sharks in the Ocean Portal.

Happy Shark Week!

Grace Costantino
Outreach and Communication Manager | BHL
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