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Perfecting the Garden: From the Rise of Agriculture to Genetic Modification

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Today, commercial agriculture is a multi-trillion dollar global industry, while the global gardening industry, which has maintained an annual market growth of 3% since 2007, is predicted to be worth $220 billion globally by 2016. From the corporate executive looking for ways to maximize profit, to the home gardener toiling to grow the best garden in the neighborhood, the quest to achieve the "perfect" garden or the idealized crop is a passionate, laborious, and indeed ancient pursuit.

But though it may be one of the biggest industries today, agriculture, and by extension gardening, has humble origins.

The Rise of Agriculture


Although theories about ancient agricultural practices are largely speculative due to lack of historical records, some researchers believe that Neolithic agriculture began with attempts by hunter-gatherers to manage nature for their benefit, stimulated perhaps by population pressures, reductions in wild food sources due to climate change, and/or over-exploitation of land by grazing animals. Whatever the catalyst, the first "agricultural" activities comprised land management strategies like burning woodland, draining wet ground and watering dry soil.

The real beginning of cultivation, however, was propagation, whereby ancient civilizations began distributing, dividing, and planting seeds and tubers. This is commonly known as the "Domestication Revolution."

Purple Yam (Dioscorea alata). The Pencil Yam (Dioscorea transversa) is a staple food of Australian Aborigines. Descourtilz, M. E. Flore médicale des Antilles v. 8 (1829). http://biodiversitylibrary.org/page/3587279. Digitized for BHL by the Missouri Botanical Garden.

The earliest propagation probably involved vegiculture - propagation using tubers (modified plant structures that store food and enable asexual reproduction that result in cultivated clones). Australian Aboriginal hunter-gatherers were known to practice vegiculture with yams. Before long, however, humans were practicing seed-based agriculture - collecting, saving, and growing crops from seeds - which led to the domestication of plant species which eventually resulted in plants that were genetically distinct from wild relatives. The very first instance of saving seeds to produce the next year's crop, which inevitably resulted in certain genes being propagated instead of others, was the start of plant breeding - "the art and science of changing the traits of plants in order to produce desired characteristics." [1]

Early plant breeding not only involved unconsciously propagating certain genes through seed selection, but also early hybridization (breeding between two genetically-distinct individuals) that occurred as farmers traveled or migrated, bringing seeds with them which were planted in new areas and eventually mixed with local species. Furthermore, natural genetic mutations often resulted in new plant varieties that could be propagated over time.

Nascent plant hybridization and improvements were likely not intentional, but early tribal people did recognize the improvements and eventually selected for them. Plant breeding history reflects the three levels of the "selection process" outlined by Charles Darwin in The Variation of Animals and Plants Under Domestication (1868). Land management and propagation reflect Darwin's first two levels: Natural Selection and Unconscious Selection. Land management created conditions that spurred species to change by natural selection, and eventual awareness and cultivation of "improved" plants represented unconscious selection, whereby humans preserve the more desirable and destroy the less desirable specimens without intention of altering the breed.

Pea varieties cultivated by Charles Darwin. The Variation of Animals and Plants Under Domestication. v. 1. 1868. http://biodiversitylibrary.org/page/40298347.

It would take a revolution to bring about the third level of Darwin's "selection process"  - Methodical Selection, whereby humans try to systematically modify a species to a predetermined standard.

The Agricultural Revolution


Fast forward several millennia from the Neolithic origins of agriculture to seventeenth century Europe, and a revolution was underway. Not a revolution of violence, but a revolution of the mind. The Enlightenment, and with it the Scientific Revolution, was reforming society, culture, and science. Within the scientific realm, emphasis was diverted from mysticism to experimentation and observation of the natural world. This emphasis was further facilitated through the increasing availability of the printed word, which allowed scientific observations to be more easily passed down, studied, and improved upon. From this movement spread a revolutionary new concept: that if nature could be understood, it could be managed (and even changed) for the benefit of humanity.

While commercial agriculture was practiced throughout China and the Roman Empire centuries earlier, it became increasingly prevalent in England and America in the seventeenth century onwards. Educated farmers began to publish their knowledge, resulting in a steady rise in agricultural literature. Agricultural societies began to form in the eighteenth century and botanic gardens began to shift their focus from herbal medicines to the needs of agriculture, facilitating the free international exchange of new seed acquisition among gardens through seed lists, or indices seminum. [3]  These lists cataloged the seeds housed at the garden available for exchange, and by the nineteenth century the index semina were important sources of taxonomic and nomenclatural information, often including diagnoses, descriptions, and notes either in footnotes or in appendices. Since they are sometimes the first publications to contain the Latin binomial of new species, the rules of botanical nomenclature dictate that these published names must continue to be recognized and used today.

Nierembergia frutescens in Catalogue des graines récoltées en. 1866, issued by Jardin-des-plantes de la ville de Bordeaux. This offers just one example of a plant that was first named and described in a seed exchange list. From the Missouri Botanical Garden Index seminum collection. http://biodiversitylibrary.org/page/44946209.

The Enlightenment resulted in and was simultaneously fueled by a revolution in agriculture in the late eighteenth and early nineteenth centuries. The introduction of new crops, more complex and efficient rotation systems, and enclosure techniques allowed farmers to produce more food and cultivate more land, which in turn led to greater food security and laid the foundations for similar advances around the world. 

The growth of the agricultural economy exerted greater pressure on quality, productivity, and variety to generate more profit. These pressures resulted in more trading of crops and plants from different areas, while imperial expansion opened up new trade routes, providing opportunities for even more varieties of seeds to be introduced. The seventeenth and eighteenth centuries saw a growing trade in seeds, generally from Italy, southern France, Switzerland, northern Europe, Turkey, Syria and colonial America. The growing popularity of home gardens spurred the development of the seed trade, with more and more nurserymen and seedsmen entering the industry and selling increasing numbers and varieties of seeds (starting with vegetables and forage crops but encompassing flowers as well by the end of the nineteenth century), culminating in the mail order garden phenomenon.

Engraving from Hortus Floridus published by Crispijn van de Passe in 1614. One of the earliest European plant catalogs, it was designed as a tool to allow salesmen to show costumers what plants they had for sale would look like in bloom. http://biodiversitylibrary.org/bibliography/75060. Digitized for BHL by Biblioteca Digital del Real Jardin Botanico de Madrid.

As commercial gardening and agriculture grew, competition among seed sellers, productivity pressures, and consumer demands for more interesting and unusual plants turned curious minds in the direction of methodical selection.

Hybridization and the New Agricultural Era


The idea that species were not constant, but could be changed by human intervention, was a revolutionary and somewhat blasphemous concept even as late as the nineteenth century. The prevailing belief was that species were intransmutable. The methods of plant reproduction and genetic transfer, which, along with mutations, provide the mechanisms by which species change, were largely uncharted territories before the Enlightenment. There is evidence of limited knowledge of plant reproduction processes in ancient Assyria and Medieval Arabian documents record some artificial fertilization activities. In Europe and the Mediterranean region, however, knowledge of plant sex organs and seed origins was a concept slowly realized starting in the seventeenth century.

In 1694, Rudolph Jakob Camerer provided the first clear indication of plant gender and the necessity of pollen for reproduction. The realization that plants reproduce sexually was the first step towards creating deliberate hybrids - offspring resulting from the crossing of two genetically different plants - as it illustrated the process by which it could be induced. Several advances in the eighteenth and nineteenth centuries paved the way for deliberate hybridization, including Joseph Gottlieb Kölreuter's hybridization experiments to refute the constancy of species (which also demonstrated that hybridization was only possible between closely related species and that some characteristics were more likely to be passed on than others), Antoine Nicolas Duchesne's hybridization of strawberries (which opened the door to deliberate crossing of different species), Linnaeus' Tragopogon hybrids (which caused him to conclude that hybridization resulted in offspring with a combination of traits exhibited by parents), and Thomas Andrew Knight's (the first person in Britain to conduct systematic hybridization) principles of heredity.

Fairchild's Mule is a cross between a sweet william (pictured) and a carnation pink. Step, Edward. Favourite flowers of garden and greenhouse. v. 1 (1896). http://biodiversitylibrary.org/page/36442265. Digitized for BHL by the Missouri Botanical Garden.

The first commercial offering of an artificial hybrid plant was "Fairchild's Mule," a hybrid pink presented by nurseryman Thomas Fairchild in the seventeenth century. It would be another century before more deliberate commercial hybridization was pursued, partly due to perceived moral and religious conflicts with altering species, and partly because the introduction of foreign varieties through trade was long sufficient to satisfy the consumers' demand for new plants. However, a breakthrough occurred in the 1820s when G.C.L. Hempel published an article that suggested that, with more knowledge, it might be possible to customize hybridization to identify the characteristics desired and breed for them. Up until this point, breeders had simply crossed whatever species they could to see if they could produce a hybrid, rather than crossing species to deliberately produce certain outcomes. However, it would take an understanding of plant genetics to achieve Hempel's vision.

The nineteenth century saw the true start of methodical breeding. Darwin's exploration of self- and cross-fertilization in The Effects of Cross and Self Fertilization in the Vegetable Kingdom (1876) and breeding in The Variation of Animals and Plants under Domestication (1868) laid the foundation for much of this systematic work. It was Gregor Mendel's famous experiments with pea plants in the mid-1800s, however, that opened a window into the world of genetics, establishing many rules of heredity now known as Mendelian inheritance and enabling the development of systematic hybridization towards an end goal.

Hybrids and the Seed and Nursery Industry


Widespread understanding that plants could be improved and demands for increased productivity to feed a growing population at a profit, with plants adapted to new or human-created environments, alongside the rising popularity of the home garden, a growing capacity for discretionary spending on luxuries, and consumer demand for new, exotic, and flashy commodities, converged in the nineteenth century to create a prime market for hybrids. While farmers themselves drove much early plant selection, breeding, and hybridization work, by the late nineteenth century, seed and nursery companies were playing a dominant role in the production of hybrids for the market and home garden, offering them for sale through an ingenuity of the garden industry: the seed and nursery catalog.

Hybrid Gladiolus offered via Dreer's Garden Book 1931. http://biodiversitylibrary.org/page/45205202. Digitized for BHL by The New York Botanical Garden.

Crossing species to create ever more glorious varieties improved for color, resilience, flowering time, abundance, or longevity, seedsmen and nurserymen began branding the hybrids, using them to promote their business. "An endless search for novelty" drove the hybridization of ornamental plants for home and public gardens, which became one of the most profitable offerings of the seed and bulb industry. Fueled by imports of "exotic" species by "plant hunters" in the nineteenth and early twentieth century, a plethora of hybrids, many now garden staples, ensued, including hybrids of rhododendrons, camellias, daffodils, gladioli, tulips, and roses. But until the late nineteenth century, there was little to no regulation on the seed trade. Untested hybrids sold to gardeners eager for the next great thing, old hybrids were rebranded as new novelties, and identical hybrids were offered by different companies under different names as distinct varieties.

"Burpee's Golden Bantam" and Stringless Green Pod Pea. Burpee's Farm Annual for 1906. http://biodiversitylibrary.org/page/46815262. Digitized for BHL by the USDA National Agricultural Library.

One of the most successful seed companies (based largely on a realization of the importance of hybridization) was the Burpee Seed Company, responsible for such staple hybrids as Iceberg Lettuce, the Stringless Green Pod Bean, and "Burpee's Golden Bantam" corn, the first yellow sweet corn. It was one of Burpee founder Atlee Burpee's cousins, Luther Burbank, that popularly introduced the idea of plant breeding as a desirable activity to the American public. Though often criticized for his intuitive, rather than analytical, process of producing hybrids, Burbank created around 800 new hybrid varieties during his career.

Shirley Poppies, branded as "Burbank Poppies" and offered by The Luther Burbank Company in their 1913 seed book. http://biodiversitylibrary.org/page/46307209. Digitized for BHL by The New York Botanical Garden.

Mendel and Genetics Take Center Stage


The widespread impact of Mendelian principles, when true methodical selection began to replace "chance" hybridization en mass, began in the twentieth century as heredity was more widely understood and accepted. William Bateson, the key figure in the introduction of Mendel in the plant sciences, articulated the opportunities that Mendelian principles offered to the plant breeder at the  2nd International Conference on Plant Breeding and Hybridization in New York in 1902:

"He will be able to do what he wants to do instead of merely what happens to turn up. The period of confusion is...passing away, and we have at length a basis from which to attack the mystery."

The term "genetics" to describe plant heredity came into use in 1906, and from that point forward hybridization began to move from the fields of farmers and seedsmen to the labs of scientists.

Plant Breeding and hybridization resulted in more versatile, robust, hearty, and nutritious crops, essential to the survival of an ever-increasing population. Floral hybridization propagates ever-more exotic, diverse, and luxurious gardens. But recently, hybridization under the name of "genetic engineering" has fallen under severe scrutiny and criticism. The loss of crop biodiversity, use of traditional crops from developing countries to fuel industrialized commercial agriculture, increasing corporate control over breeding,  seed source, and food production, and corporate gene patents, have spurred interest in traditional farming, heirloom seeds, and a curb on genetic engineering. Many now argue that the quest is not to perfect the garden through human intervention, but to un-engineer it to a natural balance.

So we have to ask...Does the future of gardening (and agriculture) now reside in our past?

Roses from China were often imported aboard cargo vessels bearing tea in the 1800s. Eventually, roses bred from these were dubbed "tea roses." Ever-blooming Hybrid Tea Rose. Offered by The Dingee and Conrad Company in Our New Guide to Rose Culture: 1891. http://biodiversitylibrary.org/page/43875590. Digitized for BHL by the USDA National Agricultural Library.

More Garden Stories Fun


    References and More Information

    [1] Poehlman, John M, and D A. Sleper. Breeding Field Crops. Ames: Iowa State University Press, 1995. Print.
    [2] (Reference consulted for blog post) Kingsbury, Noel. Hybrid. Chicago: University of Chicago Press, 2009. 20-23 pg. Print.
    [3] More Seed List Resources:

    Grace Costantino
    Outreach and Communication Manager, Biodiversity Heritage Library
    With Contributions From:
    Doug Holland
    Director, Missouri Botanical Garden Library
    Judith A. Warnement
    Librarian of Harvard University Botany Libraries

    Antique Seed Catalogs and Heirloom Gardening

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    On Heirloom Plants


    When you think of an “heirloom plant”, you may be imagining a plant that has changed little in over a hundred years—something our great- great-grandparents would have farmed and eaten.  However, the definition of an heirloom plant is a bit more fluid than that, and not only includes edibles but also plants such as flowers, herbs, bulbs, and shrubs.  In fact, there is no singular consensus on how many years a plant has to have remained unchanged to be considered an heirloom.  Some groups use cut-off dates—meaning dates after which the plant has not changed.  For instance, 1940 is the cut-off date used by the Southern Exposure Seed Exchange in Virigina.  The Heirloom Garden at the National Museum of American History uses a cut-off date of 1950.  Plants can be considered heirloom if they have not changed in 50, 75, and 100 years; there is not a single date used by a single, overriding authority.

    Interestingly, the genetic make-up of an heirloom plant is also not necessarily unchanged over time, as one might assume.  While heirloom plants are plants that breed true to seed by open-pollinated, natural means, i.e., wind, water, insects, animals, etc., a certain amount of genetic crossing can take place naturally and the plant will still be considered an heirloom.  In technical terms, an open pollinated heirloom plant will seem extremely similar to its parent plant in looks and genetic composition, but will not necessarily have the exact same genetic make-up as the parent.  Sometimes flowering plants, mainly food crops, need to be isolated to prevent cross-breeding with neighboring plant species.  However, sometimes hybrid plants containing crossed characteristics from two different parent plants can be considered heirlooms if they are open pollinated and become stabilized over a long enough period of time (at least eighty years). Learn more about hybrids in our previous post.

    Seed Catalog: Glass' Water Cleaned Seeds Grown on Lakeview Seed Farm, by Heman Glass, Published 1894.  Courtesy of the United States Department of Agriculture National Agricultural Library.  View full catalog here.

    Image of Available Vegetable Seeds from Glass' Water Cleaned Seeds Grown on Lakeview Seed Farm, by Heman Glass, Published 1894.  Courtesy of the United States Department of Agriculture National Agricultural Library.  View full catalog here.


    Heirloom vegetables have been passed down over generations, often being 50, 75 or 100 years in cultivation.  Heirloom gardeners use seed saving techniques or buy seeds from heirloom seed companies.  You can explore various antique seed catalogs in the Biodiversity Heritage Library's collection here to see the types of seeds our ancestors used, some of which are now heirloom varieties if they have been carefully preserved over time to maintain the same genetic traits (as explained above).  Aside from vegetables, people have also preserved flowers over time, creating heirloom varieties.  The Heirloom Garden at the Smithsonian National Museum of American History contains shrubs, perennials, annuals, bulbs and tropicals grown in American gardens prior to 1950.

    Prior to, and during, WWII, many people grew their own vegetables in backyard gardens.  When many hybrid plants were produced after the War, creating plants with desirable traits and increased yields, a large number of people wanted to preserve their own seed because they missed old varieties of plants.  This led to the beginning of the heirloom gardening movement.  The first use of the term “heirloom” in relation to plants appears to be in describing edible crops, most likely bean seeds, in the 1940s: Professor J. R. Hepler at the University of New Hampshire told John Withee, prominent bean seed collector, about some beans given to him by friends and described them as “heirloom”.  Widespread use of the term was cemented in 1981 when Kent Whealy, co-founder of Seed Savers Exchange, gave a speech in Tucson using the term after obtaining permission to use it from John Withee.


    Seed Catalogs and Heirloom Gardening


    Early Seed Catalogue: Catalogue of Kitchen Garden, Herb, Tree, Field and Flower Seeds, Bulbous Flower Roots, Agricultural Books, Fruit Trees, Shrubs, and Grape Vines, by Joseph R. Newell, Published 1828.  Courtesy of the United States Department of Agriculture National Agricultural Library.  View full catalog here.
    Many heirloom plants are available through seed catalogs.  A majority of these catalogs are currently held in different collections, and by looking at images and reading descriptions of plants in these catalogs, one can determine when certain heirloom varieties which still exist today were first introduced.  You can search the Biodiversity Heritage Library for heirloom plants by scientific name (the genus and specific epithet) and find old catalogs, magazines and publications containing that name. For instance, search for Nicotiana sylvestris in the Biodiversity Heritage Library catalog and you will find the beautifully-illustrated Maule's Seed Catalogue from 1900.  Below is an image of the Maule's page featuring Nicotiana sylvestris (click here to view that page in the catalog online).  Nicotiana sylvestris is a night scented tobacco plant, also called "Woodland Tobacco", that grows up to five feet tall with three-to-four inch hanging trumpet-shaped white blossoms that open in the evening to release a sweet scent--and you can learn more and still purchase this heirloom plant today at places like Seed Saver's Exchange!    


    Seed Catalog: Maule's Seed Catalogue, by Maule, Published 1900. This page features a listing of Nicotiana sylvestris seeds for sale (an heirloom still available today). Courtesy of the United States Department of Agriculture National Agricultural Library.  View full catalog here.


    Seed Catalog: Seed Annual for 1890, by John Gardiner and Co., Published 1890.  Courtesy of the United States Department of Agriculture National Agricultural Library.  View full catalog here
    Older seed catalogs are especially helpful to the modern heirloom gardener—peruse the catalogs to discover the plants you might like to have in your garden, and then search for heirloom seed varieties of those plants at modern companies such as Seed Savers Exchange and Southern Exposure Seed Exchange.  Check out the beautiful seed catalogs available at the Biodiversity Heritage Library here.

    Happy seed catalog viewing and heirloom gardening!


    Garden Stories: A Week Long Event for Garden Lovers


    All this week, we'll be exploring the fascinating world of gardening, including garden history topics such as the development of hybrids, heirloom gardening, women in the seed industry, revolutions in garden marketing through art, and the vital role the Shakers played in the American seed industry. We'll also be sharing great gardening tips and plant factoids with help from our BHL members and affiliates. And we'll be using the over 14,000 seed and nursery catalogs in BHL to help tell these stories. Join in all the gardening fun by:

    Laurel Byrnes
    Social Media and Marketing Volunteer, Biodiversity Heritage Library

    Special thanks to Joseph Brunetti and Erin Clark at the Smithsonian National Museum of American History HeirloomGarden for their significant contributions.


    References:

    • Adams, Denise Wiles.  Restoring American Gardens: An Encyclopedia of Heirloom Ornamental Plants, 1640-1940.  Portland, OR: Timber Press, 2004.
    • Weaver, William Woys.  Heirloom Vegetable Gardening: A Master Gardener’s Guide to Planting, Seed Saving, and Cultural History.  New York, NY: Henry Holt and Company, 1997.

    Leading Ladies in the World of Seeds: Part One

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    A Garden Stories celebration for Women's History Month

    A Feminine Touch in the Gardening Industry


    Recent reports indicate that the number of women-owned businesses have increased by 54% in the last fifteen years. But while we may be seeing a rise in the number and cultural acceptance of women-owned businesses today, this was not always the case. In fact, up through the nineteenth century, women-owned businesses were largely limited to taverns and alehouses, millinery and retail shops, and hotels and brothels, and were operated amidst the prevailing opinion that business was an unsuitable venture for the “gentle sex.”

    By the late 1800s, however, women were beginning to make a decided mark on a growing American industry: gardening.

    Miss Ella V. Baines. The Woman Florist. 1900. http://biodiversitylibrary.org/page/41878815.

    Unlike other businesses such as banking or manufacturing, the flower and seed industry, with a strong connection to the home, was considered a more suitable occupation for women in the nineteenth century. Miss Ella V. Baines, who started her floral business in Springfield, OH, in 1896 and offered roses, plants, bulbs, and seeds for sale via her catalogs, asserted:

    "When I started in the floral business two years ago, I confess it was with fear and trembling. It was a new field in the commercial world for woman to enter. Every one said " don't; " but I did, and I am happy to say that my business success has been assured from the very start. I reasoned in this way: that this business is one eminently suited to a woman in every respect, and of all occupations it is the most pleasant and refining. Wherever there is a home in which happiness reigns, flowers are grown...For this reason floriculture appeals to the hearts of women the world over."

    Furthermore, as Miss Baines' remarks suggest, women were a predominant customer base for the amateur gardening industry, meaning that a feminine touch and advertising tailored by women, for women, offered a distinct business advantage.

    Miss Ella V. Baines. The Woman Florist. 1930. http://biodiversitylibrary.org/page/41932328.

    Perhaps the best example of the woman-owned business advantage in the flower seed industry at the turn of the twentieth century was the self-proclaimed “Pioneer Seedswoman of America,” Carrie H. Lippincott, and the “Three Minneapolis Seedswomen.”

    Three Minneapolis Seedswomen


    Carrie H. Lippincott was born in Burlington, NJ, in September 1863. After the death of her father, Carrie, her sister and her sister's husband, Henry B. Kent, and their widowed mother, moved to Minneapolis. In 1886, at the suggestion of her brother-in-law, Sam Y. Haines, and with a need to increase the family income, Carrie started a business offering a variety of flower seeds for sale. Initially run from the family home, success soon compelled Miss Lippincott to move the business into the two-story brick store next to their house. It was the first seed company in the U.S. to be founded and managed by a woman.

    Portrait of Miss Lippincott and the two-story brick storefront next to the family home. Flower Seeds. 1900. http://biodiversitylibrary.org/page/43807529.

    The business blossomed, and in 1891, the Lippincott Flower Seed House entered the mail order gardening world by producing its first catalog - an impressive 5x7 inch lithographed delight offering seeds for sale via post. By 1896, the business claimed to have received more than 150,000 orders, and the catalog for the year reportedly enjoyed a 200,000 print run and was offered, free of charge, to anyone interested. The 1896 catalog also made the bold claim that the Lippincott company was the largest exclusively flower seed house in the world. In 1898, a quarter of a million copies of the year's catalog were shipped, translating to 1 in 60 households in the U.S. receiving a copy.

    The Lippincott catalogs are a study in marketing genius. Revolutionary for their time, they reflected a "feminine touch" that appealed to women and directly contributed to Carrie's success. Her catalog art featured colorful, idealized women and children amidst exotic or elaborate floral displays, resembling chromolithographed greeting cards of the day rather than the typical manilla paper, black-ink printed catalogs of many competitors. The catalog introductions were also personal and conversational, providing updates on the life events of the Lippincott family. Following this theme, Carrie branded her early catalogs as annual "Greetings." Carrie knew her audience. As the reputed first seed seller to target women buyers, the Lippincott catalogs were artistically tailored to feminine tastes.

    Miss C.H. Lippincott Flower Seeds. 1898. http://biodiversitylibrary.org/page/43809093.

    The Lippincott business was pioneering in other ways. It employed a staff of twenty-five female clerks and engaged housewives to grow seed stock on their farms and backyard gardens. In 1894, Carrie's became the first business to list the number of seeds contained in each packet, allowing buyers to better plan their garden layouts each year. Her contemporaries took notice of her originality, with an 1896 article in Printer's Ink asserting, "She is the original pioneer seedswoman - a real woman, arranging all the details of a large business herself."

    Miss C.H. Lippincott Flower Seeds. 1900. http://biodiversitylibrary.org/page/43807531.

    Miss Lippincott's fans were not the only ones to take notice of her success; her Minneapolis competitors also took note of the advantages of marketing a seed company as a woman-owned business catering to other women, and followed suit.

    In 1895, the catalog "Flower Seeds" appeared under the name of Jessie R. Prior, Seedswoman. Jessie's husband was listed as the owner of the seed business for five years before a seed catalog featuring Jessie's name appeared.

    Jessie R. Prior. Seedswoman. Flower Seeds. 1902. http://umedia.lib.umn.edu/node/466200.

    The next year, in 1896, the E. Nagel and Co. flower seed business in Minneapolis announced that it had transferred ownership to Miss Emma V. White, who became known as the "Northstar Seedswoman." The company subsequently produced catalogs strikingly similar in format to that of the Lippincott phenomena. Miss White was a boarder at the home of Alanson W. Latham, Secretary of the Minnesota State Horticultural Society, whom she married in 1922.

    Choice Flower Seeds. Miss Emma V. White. 1908. http://biodiversitylibrary.org/page/46685973.

    The association of these women with prominent men in the seed industry led many to question whether the new women-owned companies were in fact only fronted by women but run by men. Carrie Lippincott believed this to be true, writing:

    "...a number of seedsmen (shall I call them men ?) have assumed women's names in order to sell seeds. It is a peculiar thing in this day and age, that a man should want to masquerade in woman's clothing."

    Miss White responded to the accusation, proclaiming, "I am a real live woman and I give personal attention to my business." In an 1896 catalog, Emma even asserted (as a jab at Miss Lippincott?):

    "While it is true that the buyers of flower seeds are almost always women, yet I ask your patronage NOT BECAUSE I AM A WOMAN, but solely because by my methods I merit it."

    Choice Flower Seeds. Miss Emma V. White. 1914. http://biodiversitylibrary.org/page/46685859.

    Miss Prior's company remained silent on the gender accusations.

    Were the White and Prior companies truly owned and operated by women, or were they, as Miss Lippincott believed, the brainchildren of men hoping to mimic Carrie's success? Research suggests that the latter was more likely true with Miss Prior's business than with Miss White's, but whatever the truth, the fact that being a woman in the flower seed industry was recognized as an asset represents a remarkable shift in prevailing 19th century attitudes about women in business.

    Explore other remarkable Leading Ladies of the Seed Industry represented in BHL 


      Leading Ladies in the World of Seeds Resources

      More Garden Stories Fun


      Grace Costantino
      Outreach and Communication Manager, Biodiversity Heritage Library


      Leading Ladies in the World of Seeds: Part Two

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      A Garden Stories celebration for Women's History Month

      Seed Catalogs to Inform Botanical Research


      Carrie H. Lippincott (featured in our previous post) exploited the potential that seed catalogs offer in a business setting. Ethel Z. Bailey recognized the potential of seed catalogs in an entirely different application: cultivated plant research.

      Ethel Zoe Bailey in 1905.
      Ethel Z. Bailey, daughter of Liberty Hyde Bailey (botanist, a foremost leader in American horticulture, and the first dean of Cornell University's College of Agriculture) and Annette Smith Bailey, was born in Ithaca, New York on November 17, 1889. Born in a faculty house on the Cornell University campus, in the middle of what is now Phillips Hall, Ethel was surrounded at an early age by the students, professors, deans, and presidents of Cornell University, witnessing over her lifetime the evolution of the university from a three-building campus at her birth to one of America's premier institutions.

      In 1911, Ms. Bailey graduated with an A.B. in Zoology from Smith College in Northampton, MA. While her early scientific interests were zoological in nature (influenced in part by natural history excursions during her youth with Cornell herpetologist Albert Hazen Wright), her focus soon turned to botany and horticulture shortly after her graduation, when she became her father's co-worker, editor of his many books and articles, and field assistant on collecting expeditions around the world. She also served as her father's chauffeur, as she was the first woman in Ithaca to obtain a driver's license.

      Ms. Bailey was a particularly well-traveled individual. As a girl, she traveled with her parents and sister to Europe, and in 1914 she accompanied her parents on a trip to New Zealand (her father wrote his book The Holy Earth during this latter venture). Once joining her father in his work, Ethel traveled with him to Japan and China in 1917, Brazil in 1922-23, the west coast of the U.S. in 1926, as well as locales in Puerto Rico, Panama, Barbados, Trinidad, other West Indian Islands, and Venezuela, collecting plant specimens. These specimens were processed and cataloged (largely by Miss Bailey), and housed at the family home at Sage Place, about 10 blocks from the Cornell campus (the palms were housed in the carriage house and the remaining general herbarium in a wing off of the carriage house, where the work areas were situated).

      Ethel Zoe Bailey and her father on a collecting trip in Panama, 1931. http://exhibits.mannlib.cornell.edu/mailordergardens/intro.htm.

      During one particularly memorable collecting excursion, Miss Bailey, her father, and a few other botanists ventured into the wild jungle island of Barro Colorado in the Panama Canal Zone in search of a rare palm, which L.H. Bailey believed would be found in the Mohinja Swamp. Wading through hip-deep water amidst warnings of disease and boa constrictors, the group found the palm as predicted and photographed it in the middle of a downpour using a tripod nearly submerged in water. But the specimens, and the photographs, were successfully obtained!

      Miss Bailey assisted and edited many of her father's works during his lifetime, including Standard Cyclopedia of Horticulture (1914-17) and the Manual of Cultivated Plants(1924; 1949)She also served as editor of Gentes Herbarum through its first eight volumes and co-authored Hortus (1930) and Hortus Second (1941) with her father.

      Cycadaceae in Standard Cyclopedia of Horticulture. Bailey, L.H. 2nd Ed. v. 1 (1916-17). http://biodiversitylibrary.org/page/20553842.

      As part of her work, Miss Bailey also maintained a collection of seed and nursery catalogs from around the world, which she and her father used to gather and record information on cultivated plants (this collection greatly informed L.H. Bailey's Manual of Cultivated Plants and L.H. and E.Z. Bailey's Hortus Second). As each catalog was received, the plants listed were recorded on index cards, along with the name of the firm offering the plant, the year of offering, Latin names, and prices, resulting in an index providing a record of the species and variants available in the commercial trade. The file grew to become the most comprehensive index of available ornamental plants in the world.

      Ethel Zoe Bailey and her father, L. H. Bailey. http://www.geraniumsonline.com/ethelzoe.htm.

      In 1935, L.H. Bailey donated his Hortorium, which contained over 100,000 plant and seed catalogs, 125,000 plant specimens, and nearly 3,000 books, along with the family home buildings that housed the collections, to Cornell University, establishing the L.H. Bailey Hortorium. Interestingly, L.H. Bailey coined the term "hortorium" in 1935 as (in his words) "a repository for things of the garden. It is to be a place for the scientific study of the plants of the garden--their documentation, their classification, and their naming."

      Miss Bailey became the first Hortorium curator, managing the herbarium specimens (which since 1953 have been located in Cornell University's Mann Library building), seed and nursery catalogs and book collections, and card file index system. She diligently processed herbarium specimens, grew the catalog collection, and built her cultivated plant index system until her "retirement" in 1957. She continued to volunteer her time at the Hortorium after her retirement, however, working five days a week, 9am-4pm, on her index and curating the catalog collection. She also glued pressed plants on sheets for the herbarium on Saturday afternoons at her home at Sage Place, while listening to the opera on local radio - Ethel had played the violin in the Ithaca High School orchestra.

      Ethel Z. Bailey
      After her death on July 15, 1983 at the age of 93, the seed and nursery catalog collection at the L.H. Bailey Hortorium (which today holds over 134,000 pieces) was named after Miss Bailey. It is now known as the Ethel Z. Bailey Horticultural Catalogue Collection in recognition of the 70+ years that Miss Bailey curated and cultivated the collection. Explore the catalogs in the Cornell University Library Mail Order Gardens exhibit and materials from the L.H.Bailey Hortorium in BHL.

      Miss Bailey's tireless efforts and research involving cultivated plants boldly illustrates the importance of seed and nursery catalogs in historical research. The catalogs and index are today used to trace the introduction of plant cultivars and species, support price-index studies and related economic investigations, and verify the existence of certain plant varieties. Miss Bailey's contributions to horticultural science were well-recognized both during and after her lifetime. She was awarded the George Robert White Medal of the Massachusetts Horticultural Society in 1967 and the Smith College Medal in 1970.

      Explore other remarkable Leading Ladies of the Seed Industry represented in BHL 

      More Garden Stories Fun


      Grace Costantino
      Outreach and Communication Manager, Biodiversity Heritage Library
      With Significant Contributions From:
      Robert Dirig
      Curator, Cornell Plant Pathology Herbarium, Cornell University Department of Plant Pathology
      Marty Schlabach
      Food and Agricultural Librarian, Cornell University Library

      Revolutionizing the Garden Industry with Art: Part One

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      The Seed Industry Blossoms in America


      Seventeenth and eighteenth-century America had established nurseries—George Fenwick’s in Connecticut in the 1640s, John Bartram’s in Philadelphia (approximately 1729) and Robert Prince’s on Long Island (1737)—that traded plants to and from Europe. The owners were accomplished botanists and plant collectors. They and their successors played a great role in horticulture and floriculture introductions and trends during the colonial period and even during the War of Independence, choosing, making available and distributing specimens and seeds for cultivation.

      John Bartram and Son. A catalogue of trees, shrubs and herbaceous plants, indigenous to the United States of America. 1807. http://biodiversitylibrary.org/page/44008602.

      George Washington ordered from Bartram’s 1784 catalog American Trees, Shrubs and Herbacious Plants for his gardens at Mount Vernon. Prince’s Nursery at Flushing Landing was spared by the British in the midst of battles of the Revolutionary War, and President Washington visited in 1790. The early nursery catalogs usually lacked illustrations and prices, indicating a knowledgeable clientele able to afford the wares.

      Catalogue of American trees, plants, and seeds, for sale by William Prince, at his nursery, near New-York. 1818. http://biodiversitylibrary.org/page/42745739.

      During the nineteenth century in America gardens for pleasure, influenced by various botanical, industrial and cultural forces, became accessible to a wider audience, not just the wealthy. Gardening increasingly was not only a means for providing food and medicine but a way to enrich one’s life, to enjoy nature and contribute to the public good. Along with the creation of urban parks as the country became more industrialized, commercial nurseries also proliferated. There was a growing middle-class market for their goods of fruit-trees, shrubs, vegetables, flowers, and seeds. And where there were nursery stocks, there were illustrated advertisements to entice purchasers.

      This was the time when Rochester, New York, became known as "The Flower City." The temperate climate of Lake Ontario, the rich Genesee Valley (particularly for fruit trees) and the ease of transport, abetted with the creation of the Erie Canal in 1825 and the proliferation of railroads, all contributed to the region becoming an entrepreneurial center for horticulture. First, in 1830 William A. Reynolds and Michael Bateham, started their Rochester Seed Store. The nursery part of that business soon evolved into the Ellwanger and Barry Nursery Company. The two immigrants, George Ellwanger and Patrick Barry, issued the first catalog of the Mount Hope Botanic and Pomological Gardens in 1843. By 1871 they were the largest horticultural firm in the country with over 650 acres. Stock was shipped across the country and to Europe, Asia and Australia.

      Ellwanger and Barry's catalogue of green-house and; hot-house plants, fuchsias, and select bedding plants, chrysanthemums, dahlias. 1862. http://biodiversitylibrary.org/page/42744851.
      The nursery man Patrick Barry’s horticultural treatises and inclusion of information in his own gardening catalogs helped educate his middle-class clientele in how to design and plant their own home landscapes. Barry's writings led to involvement with the serial publications, the Genesee Farmer from 1844 and, following the early death of the enormously influential Andrew Jackson Downing, The Horticulturist in 1853. Barry also published The Fruit Garden in 1851 and for the American Pomological Society, he wrote in 1862 A Catalogue of Fruits (1868 revised edition in BHL).

      Downing, A. J. A treatise on the theory and practice of landscape gardening (1844). http://biodiversitylibrary.org/page/16492842.

      Art Transforms the Seed Industry


      Concurrently, before mid-century, illustrations—lithographs, engravings, woodcuts—were beginning to be put to use in nursery and seed catalogs. These printing techniques could not fully meet the demand of the rapidly expanding business as coloring by hand was time-consuming and expensive.

      Ellwanger and Barry. Descriptive catalogue of ornamental trees, shrubs, roses, flowering plants. 1875. http://biodiversitylibrary.org/page/42767492.

      Chromolithography, also known as color lithography, was patented in 1837 by Franco-German lithographer Gottfried Engelmann. The process involves planographic or flat-surface printing on stones where the image is drawn with greasy ink or crayon in several different colors (the idea being that oil and water do not mix). This provides for eye-catching, vibrant and imaginative images produced by the thousands. Earlier methods of color reproduction had proved inadequate. Thus chromolithography became dominant in the second half of the nineteenth century for inexpensive decorative prints and for ephemera, such as postcards, cigar boxes, posters, and calendars.

      Example of chromolithograph seed catalog cover. Vaughan's 1894 gardening illustrated. http://biodiversitylibrary.org/page/44441215.

      The printmaking technique of chromolithography for advertisements, particularly with the advances in steam-driven production, was quickly put to great effect in the nursery industry in Rochester, where the greater number of firms were located. As a result, “the Flower City” became the center of horticultural publishing along with the garden firms. The first company solely devoted to chromolithography in Rochester was established in 1871. Production was not just for the widely distributed catalogs but also for seed packets and labels for boxes and trade cards and, eventually, horticultural periodicals. In addition, unique sample books for salesmen, composed of varying images of fruits and flowers, could be assembled for the trade, advertising the inventory of a business. One leading firm was Dellon Dewey. An example of one of the surviving works for agents of the company is in the Smithsonian Libraries’ Cullman Library (SB361 .D519 1872). While not many of these pieces of ephemera in the nursery trade still exist, the University of Delaware Libraries has nearly one hundred.

      Example of chromolithograph seed cover. Cole's Garden Annual. 1896. http://biodiversitylibrary.org/page/43194611.

      Reimagining the Seed Catalog: James Vick


      James Vick (1818-1882) is a figure that unites all these trends—Rochester as a horticultural center both for the selling of plants as well as printing and publishing, the use of beautiful and informative illustrations as to aid the gardening business, and landscape design education. He was another immigrant, from Portsmouth, England. After learning the printing trade in New York City, he settled in Rochester in 1837 to work for several newspapers. An intense interest in horticulture, excellent editorial skills and an innovative mind perfectly suited the Genesee Farmer and The Horticulturist (1853 to 1854). He then started his own business in 1860: the Vick Seed Company.

      Vick's Floral Guide, 1889. McCollum's Hybrid Tomato, Irondequoit Musk Melon chromolithograph. http://biodiversitylibrary.org/page/44438925.

      Andrew Jackson Downing’s English landscape aesthetic, laid out in the author’s A Treatise on the Theory and Practice of Landscape Gardening (1841) and Cottage Residences (1842), particularly influenced the seedman’s essays for his several annual catalogs and magazine, Vick’s Illustrated Monthly (the title varies). Vick promoted Downing's favored picturesque style of undulating expanses of lawn, groupings of trees and shrubs, and flower in borders and beds, along curving paths. He advertised widely seeds for all these components in other publications and newspapers while integrating his own printing shop and bindery and mailing operation, with this 100-acre nursery and retail store. His sons took over the business following Vick’s death but eventually sold it to the Burpee Seed Company.

      Vick's Floral Guide, 1895. Sweet Peas chromolithograph. http://biodiversitylibrary.org/page/44442935.

      As an added incentive, mail order customers of Vick's company were sent free chromolithographic prints to display in their homes.The suitable-for-framing art and the covers of Vick’s catalogs were mostly devoted to floriculture with bold, colorful images to lure customers in the dead of winter to dream of planting and then order for planting in the spring and summer. Planning, particularly for something new and exotic, is at least half the fun.

      Survivors of this ephemeral form of publication—seed and nursery trade catalogs—are valuable not only for their pictures (documenting different techniques of illustrating processes) but as research sources on introduction of plants into the trade as well as trends in horticultural fashion. Catalogs can also be used to trace the propagation history of specific plants, seed cleaning, packing and shipping methods, and prices. Or, rather than research, the illustrations can provide in this day inspiration or simple enjoyment of their aesthetic.

      Chromolithograph cover. Vick's Illustrated Floral Guide for 1873. http://biodiversitylibrary.org/page/44383969.

      Stay Tuned for Part Two of our "Revolutionizing the Garden Industry with Art" blog post to see how photography influenced the seed catalog.

      More Garden Stories Fun


      For further reading: 


      Julia Blakely
      Resource Description Special Collections Cataloger, Smithsonian Libraries

      Revolutionizing the Garden Industry with Art: Part Two

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      J. Horace McFarland. Pennsylvania Capitol Preservation Committee
      J. Horace McFarland’s name is little known today. In the early twentieth century, however, he was a prominent figure in American horticulture and the nascent environmental movement. McFarland (1859-1948) was a master printer, horticulturist, and conservationist, whose Harrisburg, Pennsylvania printing company specialized in horticultural trade publications. He was particularly noted for his use of photographs and color photoengraving in nursery and seed trade catalogs.

      As a boy, McFarland learned the nursery trade by working in his family’s business, Riverside Nurseries of Harrisburg. His father, who published a small weekly newspaper, gave Horace a printing press in 1878. He merged his skills in horticulture, printing, and business and formed his own printing company. McFarland sought clients among people he knew—the growers who provided seed and stock to Riverside Nurseries. He called his venture Mount Pleasant Press. (The company was incorporated in 1891 as the J. Horace McFarland Company and was known for many years under both names.)

      McFarland initially printed eight-page seed lists for spring and fall planting seasons. Wanting to generate a steadier stream of year-round business, he pitched ideas to nurserymen throughout the country for producing informative publications and more frequent catalogs full of enticing illustrations. Eventually, through skillful marketing, he won large contracts for thousands of catalogs.

      An example of an early catalog printed by “J. Horace McFarland, Horticultural Printer, Harrisburg, PA” titled “Descriptive Catalogue of Ornamental Trees, Plants, Vines, Fruits, Etc.”, Morrisville Nursery, 1891. The catalog contains woodcut illustrations; many are signed by Albert Blanc in this catalog. http://biodiversitylibrary.org/page/45708656.
       
      An innovative businessman with diverse interests, McFarland also mastered the art of horticultural photography. It’s not known when he started carrying bulky camera equipment with him to capture images of growers’ plant stock, fruit, and produce. He most likely began doing this well before 1896, when he was elected to the Photographic Society of Philadelphia.

      Albert Blanc prepared and sold thousands of illustrations for seed catalogs, including many for J. Horace McFarland. Here's an ad Blanc placed in the 1889-90 volume of The American Floristhttp://biodiversitylibrary.org/page/24949896.

      McFarland sent his early photographs to one of the foremost woodcut illustrators of plants, Albert Blanc of Philadelphia. Blanc prepared woodcuts which McFarland printed in his plant lists to develop the look of his catalogs. By 1890, the first commercial use of photographs in magazines and newspapers began thanks to Frederic E. Ives’ invention of the halftone printing technique. McFarland is thought to be the first to use halftone images in horticultural publications (Morrison, p. 41).

      As the use of photography in publishing increased, so did McFarland’s collection of plant and garden photographs. He found most of his photo subjects in gardens along the East Coast and in his own trial gardens. Mount Pleasant Press kept an extensive library of photographs mounted on cards and offered the images for sale to clients wishing to use the illustrations in publications. This was a method of expanding the company’s service. McFarland aimed to offer a full range of services to his customers in addition to printing, including publicity, editorial and design, and direct mailing.

      An 1895 catalog printed by “J. Horace McFarland Co., Horticultural Printers, Harrisburg, PA” titled “Pleasant Valley Nurseries”. Note the use of color on the front and back covers. There are also several black and white photographs in the catalog, but the illustrations are primarily woodcut. http://biodiversitylibrary.org/page/45686558.

      William Kurtz, a New York photographer and founder of the Coloritype Company, instructed McFarland in a new photomechanical technique for mass printing color images known as three-color photoengraving. Kurtz, impressed with McFarland’s abilities, hired him to manage the company in 1893. With less than one year’s experience in this position, McFarland launched color photoengraving techniques at Mount Pleasant Press, and was soon using four-color process.

      Despite the advances in color photoengraving, McFarland was not satisfied that the new color photographic methods of the early twentieth century measured up to his exacting standards. His solution was to hire artists, who went to work in the 2.5 acre trial gardens at his residence, Breeze Hill, in Harrisburg. These skilled artists painted plant images in watercolor in order to capture an accurate color record on paper. Sometimes they created several versions of the same plant variety in order to get a proper average of the colors found in nature. Eventually, these colors were transferred to plates that were run in the printing of nursery catalogs or other publications.

      A 1906 catalog printed by “Mount Pleasant Press, J. Horace McFarland Company, Harrisburg, Pennsylvania” titled Glen Saint Mary Nurseries. Note that by this time period, most of the plant illustrations are black and white photographs. http://biodiversitylibrary.org/page/46778542.

      McFarland’s philosophy behind his painstaking efforts to produce realistic images was simple—good pictures sell products. In a booklet marking his company’s sixtieth year he writes, “Since the natural appearance of a flower or plant is an important selling factor in advertising, nearly all progressive horticultural tradesmen are anxious to use colored illustrations.” His passion for the inherent beauty in nature appealed to many growers and established McFarland’s legacy as a trailblazer in horticultural printing.

      Glass lantern slide of Kearney Park. Photographer: J. Horace McFarland Company. This slide is part of the Archives of American Art J. Horace McFarland Collection. http://siris-archives.si.edu/ipac20/ipac.jsp?&profile=all&source=~!siarchives&uri=full=3100001~!186055~!0#focus.

      Some of the companies for which the J. Horace McFarland Company printed catalogs include:


      J. Horace McFarland’s personal and business records are now housed at several institutions:


      More Garden Stories Fun



      Sources

      • Morrison, Ernest. J. Horace McFarland: A Thorn for Beauty. Harrisburg, PA: Pennsylvania Historical and Museum Commission, 1995. 
      • Sixty Years of Printing Service, second edition. Harrisburg, PA: J. Horace McFarland Company/Mount Pleasant Press, 1940.

      Sara Lee
      Special Collections Librarian, National Agricultural Library
      Diane Wunsch
      National Agricultural Library

      “'Tis A Gift To Be Simple” But to Have a Splendid Garden Buy Shaker Seeds

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      Sabbathday Lake Shaker Community Meetinghouse  (photo by Gerda Peterich for the Historic American Buildings Survey, Library of Congress Prints and Photographs Division; HAB SME,3-SAB,1—1)

      The United Society of Believers in Christ’s Second Appearing, a religious sect commonly referred to as the Shakers, was founded in 18th-century England from a branch of the Quakers. Along with other newly formed devotional groups, they soon immigrated to colonial America. There they established as their economic foundation a variety of cottage industries that thrived throughout the 19th and into the early 20th centuries. Now known mostly for wonderfully simple architecture, austere but beautifully designed furniture and such functional objects as nesting oval boxes and baskets, members of the Shaker communities also once had booming garden and seed businesses. Their labor-intensive methods of working inevitably came to be overwhelmed by competition from industrial manufacturing as well as the problem of ever-shrinking membership, celibacy being one of their central tenets.  


      Shaker Carrier (by Sharon Dugan; Smithsonian American Art Museum, Gift of Martha G. Ware and Steven R. Cole; no. 2011.47.11)

      The first fully organized Shaker community was New Lebanon in New York; by 1789, two years after its formation, the members cultivated seeds as a cash crop. This was the second earliest “company” to sell seeds in America. David Landreth & Son of Philadelphia was the first, in 1784, and that business traded back and forth with the Shakers. Another early dealer was Grant Thorburn in Philadelphia who wrote about the difficulty of obtaining seeds of good quality.

      Other Shaker settlements, or “families,” soon followed in the seed-production business, including Watervvliet, New York; Hancock, Massachusetts; Enfield, Connecticut; Canterbury, New Hampshire; Alfred, Maine; and South Union, Kentucky, among several others. All were known for the excellence of their products and integrity of their business dealings. Devotion to God was expressed through their work ethic, hand labor and craftsmanship. The selling of goods was meant to raise funds only for needs the Shakers could not supply for themselves.

      It is uncertain whether the Shakers were the first to put their seed products in small paper envelopes or packets, but they were the first to popularize their use. The Shaker Brothers printed millions of them on their presses, while the Sisters performed the labor of cutting, folding and pasting the papers. While believing in partnership in work and equality of the sexes, occupations tended to fall along traditional gender lines. The Brothers tilled the fields while the Sisters picked, sorted and packaged the seeds and herbs.  

      Seed Room, Shakertown, Kentucky (LC Prints & Photographs Division; HABS,84-SHAKT,2-33)

      The Shakers were also early adopters of incorporating gardening manuals in their catalogs. Charles Crossman wrote ones in 1835 and 1836 for Mount Lebanon, Pittsfield and Watervilet, directing the wholesaler or the individual purchaser how best to plant the offered seeds. Instructions for storing and cooking bounties from the gardens were also sometimes given. Vegetables dominated the products but herbs and flowers as well as grass also appear in the lists. Crossman later left the Shakers and established his own company in Rochester, New York, which was just beginning to become the thriving horticultural center in the country.   



      Wholesale price list of seeds by the Shaker Seed Company. New Lebanon, New York, 1888 (Henry G. Gilbert Nursery and Seed Trade Catalog Collection, National Agriculture Library; image from the Biodiversity Heritage Library)
      As the Shaker seed business in the United States grew from 1840, printing firms outside of the communities were employed to keep up with demand. Correspondingly, advertisements and the design of the packets, begun first plain with simple chunky block type, were transformed to include the use of color papers and borders and eventually vivid chromolithography.  

      Following the Civil War, increased competition resulted in the Shakers’ using the word “genuine” in their advertising, as products from the communities were considered to be of the highest quality, their best selling point. They also used various and effective marketing techniques, including seed boxes meant to be displayed on the counters of country stores. The containers had compartments for assorted Shaker vegetable and flower seed packages, with a hinged lid to be propped open to display a broadside detailing the contents within, and a chromolithographic image of a bountiful harvest, promising the purchaser a similar reward.
      Seed Room with display containers, Shaker Centre Family Dwelling House, Shakertown, Mercer County, Kentucky (Library of Congress Prints and Photographs Division; HABS KY,84-SHAKT,2—34)

      Other surviving ephemera record the once-thriving industry of seed, herbal, food, and medicinal products from the Shakers. Along with seed catalogs and the packets, mailing tags and envelopes, broadsides, receipts, invoices, billheads, and labels, give testament to their industry. Product labels include currant, grape, wild cherry, and blackberry wines. Far from being abstinent (except in the matter of sex), the Shakers made at least fourteen varieties of wine as well as distilled spirits. The religious group in their various communities was also at the forefront of selling medicinal herbs in the United States.


      Shaker Digestive Cordial (A.J. White, New York, New York; National Museum of American History, no. 246707)

      The changing world and market forces caused the Shaker seed industry to gradually peter out at the beginning of the 20th century. Increasing industrialization, growth of urban centers with ease of shipping and mailing to formally isolated villages, and overwhelming production from big companies, particularly in Philadelphia and Rochester, eliminated the communities’ wagon and sleigh seed routes for trading. With their firm spiritual beliefs and practices, the Shakers were not very competitive against aggressive business tactics.  

      Postcard of the Shaker Village of Sabbathday Lake, Maine (ca. 1920; Wikimedia Commons)

      At their peak in the mid-19th century there were about 6,000 “Shaking Quakers” so named because of their ecstatic behavior during worship services. Today, Sabbathday Lake Shaker Community, founded in 1783 in Maine, is the sole active survivor of the religion. A tree farm, an apple orchard and vegetable gardens are maintained, and hand-set printing is still practiced. The library there holds ephemera such as account records, recipes, catalogs and 1,380 labels printed by Shakers for their own products. They are living testament to the Shakers’ influence on the American seed and nursery industry and their permanent place in horticultural history—the early development of the new business, innovative techniques in marketing and education as well as the propagation and introduction of new varieties. The Sabbathday Shakers still sell herbs, and their catalog is online.

      The Library of Sabbathday Village in New Gloucester, Maine (Wikimedia Commons, August 2010)
      Wholesale price list of seeds by the Shaker Seed Company, Mount Lebanon, New York, 1888 (Henry G. Gilbert Nursery and Seed Trade Catalog Collection, National Agriculture Library)

      More Garden Stories Fun


      Julia Blakely
      Smithsonian Libraries, Resource Description Special Collections Cataloger

      What's Up with Seed Catalogs in BHL?

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      Cole's Garden Annual. 1892. From the BHL Seed and Nursery Catalog Collection.
      We've spent a fun-filled week exploring the history, art, and science of gardening with our Garden Stories event. Seed and nursery catalogs and lists played a starring role in our campaign, allowing us to explore the world of gardening through the instruments that informed, documented, shaped, and transformed the industry.

      As our journey this week has demonstrated, seed and nursery catalogs and lists allow us to trace the development of the seed industry, agriculture, and the home garden, documenting the rise, decline, and development of new plant varieties and prices; changing agricultural and printing technologies; the individuals who shaped the industry; the evolution of garden fashion and landscape design; the introduction of chemical agents for insect and weed control; early methods of cleaning, preserving, and shipping seeds; and cultural and social dynamics such as the effects of and reactions to scientific advancement, global wars, and the shifting roles of women in society and business.

      Because of their cultural, historic, and scientific importance, many BHL partners are engaged in a variety of projects to digitize and improve access to the seed and nursery catalogs and lists in their collections. As we wind things down in our Garden Stories event, we invite you to explore the exciting world of seed catalogs in the Biodiversity Heritage Library consortium.

      Digitizing One of the Largest Seed Catalog Collections in America


      John Gardiner & Co. Seed Annual for 1890. From the NAL Seed Trade Catalog Collection.
      Started in 1904 by USDA’s first economic botanist, Percy Leroy Ricker, the National Agricultural Library’s (NAL) Henry G. Gilbert Nursery and Seed Trade Catalog Collection consists of over 200,000 American and foreign catalogs. The earliest catalogs date from the late 1700s, but the collection is strongest from the 1890s to the present.

      As one of NAL’s most frequently used collections with an appeal to a wide-ranging audience, the Nursery and Seed Trade Catalog Collection was a natural candidate for digitization. In 2013, NAL began digitizing the collection with Internet Archive which operates a scanning center at NAL. As of February 2015, NAL has cataloged all of its U.S seed catalogs through 1923 and digitized over 13,000 seed catalogs, including all of its U.S. catalogs through 1906 as well as its entire collection of catalogs from long-established firms such as Peter Henderson & Co., and woman-owned firms such as Miss Ella V. Baines. The Nursery and Seed Trade Catalog Collection will remain a focus of NAL’s digitization work with Internet Archive for the foreseeable future.

      Soon after NAL’s catalogs became available in Internet Archive, BHL added them to its own Seed and Nursery Catalogs Collection. In 2014, NAL formally became a BHL affiliate and the two institutions began working on a standardized process for ingest of NAL seed catalogs (and other relevant digitized materials) into BHL.

      Digitizing to Improve Access and Discoverability


      In 2013, the Biodiversity Heritage Library engaged in an ambitious project to explore the applicability of purposeful gaming to tackle a significant challenge for digital libraries today: poor output from Optical Character Recognition (OCR) software. OCR allows a computer to "read" the text on a digitized page and produce a searchable text file for each page image that allows users to more easily discover content relevant to their needs.

      Led by the Missouri Botanical Garden's Center for Biodiversity Informatics (CBI) and in partnership with Harvard University, Cornell University, and the New York Botanical Garden, the Institute of Museum and Library Services (IMLS)-funded project, Purposeful Gaming, will demonstrate whether or not digital games are a successful tool for analyzing and improving outputs from OCR and transcription activities because large numbers of users can be harnessed quickly and efficiently to focus on the review and correction of particularly problematic words by being presented the task as a game.

      As part of Purposeful Gaming, project participants are digitizing seed and nursery catalogs and lists because these documents are great examples of materials that are notoriously difficult subjects for OCR to parse. The picturesque fonts and elaborate page layouts so endearingly characteristic of seed catalogs cause the resulting OCR output to be error prone and less than optimal. By identifying unique catalogs and lists in their collections and integrating them into the BHL Seed and Nursery Catalog Collection, transcription sites, and purposeful games, participating institutions are helping us enhance our OCR and improve access to not only these catalogs and lists but the entire BHL collection as well.

      Seed catalogs and Index Semina – What’s the difference and why do we care?

      Nierembergia frutescens in Seed List. http://biodiversitylibrary.org/page/44946209.
      As described, Purposeful Gaming involves digitization of historic seed catalogs and seed lists, or index semina. What is the difference? Beautifully illustrated seed catalogues were issued regularly by seed companies to list their current selection available for sale. The catalogues occasionally included plants that were not only new to the garden, but also new to science. Similarly, the far less colorful seed lists were issued and exchanged by botanical gardens to facilitate the free exchange of new seed acquisitions and also included plant species new to science.

      The seed lists were published and circulated in limited numbers and were often considered ephemeral so they were not generally deposited in libraries. Today no library in the world has a complete set. BHL partners have joined forces to digitize their collections to form a virtual set that is nearly complete and are far more accessible to botanists and everyone around the world.

      Nierembergia frutescens is just one example of a plant that was first named and described in a seed exchange list. This beautiful flowering herb is a member of the Solanaceae or Nightshade family. It was first named in 1866 by the French botanist Michel Charles Durieu de Maisonneue. He described the plant in great detail while advertising the availability of seeds of this new species to his colleagues in Catalogue des graines récoltées en. 1866, issued by Jardin-des-plantes de la ville de Bordeaux.

      Identifying the Unique

      1904 Vick's Catalog. From LH Bailey Hortorium’s Horticultural Catalog Collection at Cornell University.
      With many Purposeful Gaming-affiliated institutions involved in digitizing seed and nursery catalogs, alongside the significant digitization underway at the National Agricultural Library (NAL), it can be difficult to ensure that the same catalog is not digitized by multiple libraries. Recognizing this challenge, Cornell University’s Mann Library developed a process to identify and digitize the unique seed catalogs in their collection.

      The first step in this process was to collect metadata about the seed catalogs held by BHL institutions currently digitizing these works. This was done using Excel spreadsheets with matching columns. The merging of the metadata was complicated by differing cataloging processes among various institutions. For instance, NAL catalogs each seed catalog as a monograph whereas Cornell catalogs them as serials based on the firm name. To further complicate the situation, Cornell also cataloged the firms for which they have only a handful of catalogs in alphabetic ranges by firm name.

      After the metadata for the seed catalogs in applicable institutions was merged into one large spreadsheet, it was necessary to try to match up the varying firm names. For example, one institution might have a firm cataloged as John W. Adams, whereas another institution may have JW Adams, Adams JW, or even John W Adams & Sons. Additionally many firms changed names over time. 

      Mann decided to use Google Refine in an attempt to standardize firm names. Using Google Refine’s Cluster option they were able to match up various firm names used for the same firm. (For more on clustering methods, please see https://github.com/OpenRefine/OpenRefine/wiki/Clustering-In-Depth). If requested, Google Refine will change the firm names in the spreadsheet to use a common firm name for each. This allowed the resulting spreadsheet to be sorted by firm so that all metadata for one firm appeared together in the spreadsheet. Mann Library then reviewed the spreadsheet manually to see what firms or seed catalog publication years are uniquely held by them, avoiding the scanning of material already digitized by other BHL institutions.

      Gaming to Enhance Collections

      So we've covered digitizing the catalog and list collections. How then will Purposeful Gaming use video games to decipher difficult-to-read texts--such as seed and nursery catalogs--that cannot easily be read by OCR software?

      Here's how it works: an original catalog is scanned, and the image uploaded to BHL. The image is then uploaded to a transcription portal, where volunteers type out the text that would be too difficult for a computer to read (thanks to all who have helped us transcribe seed catalogs this week!). Multiple transcriptions of the same text are then incorporated into the video game, which identifies discrepancies between them. The task of the player is to correctly transcribe the text in question through a creative video game interface. Eventually, games like this could help create searchable versions of seed and nursery catalogs, increasing their value to historians and horticulturalists alike.

      Beta versions of the games are being tested right now, and we hope to release them this summer. Stay tuned to our blog and social media for more updates. In the meantime, you can help inform the game development by transcribing seed and nursery catalogs today! Learn more.

      We're so glad you joined us this week for Garden Stories. You can explore all our great posts by following #BHLinbloom on Twitter and Facebook and diving into our Garden Stories blog series. Be sure to check out the over 14,000 seed and nursery catalogs in BHL and enjoy over 2,500 seed catalog images in Flickr, with a selection also available in Pinterest. Find great online gardening resources, facts, and tips on the BHL Gardening Resources Page.

      Happy gardening!

      Contributions From:

      Chris Cole
      Manager, Business Development, National Agricultural Library
      Doug Holland
      Director, Missouri Botanical Garden Library
      Holly Mistlebauer
      Information Technology Project Manager, Cornell University's Mann Library
      Kay Derr
      Contracts Librarian, National Agricultural Library
      Patrick Randall
      Marketing Intern, Ernst Mayr Library, Museum of Comparative Zoology, Harvard University
      Judith A. Warnement
      Librarian of Harvard University Botany Libraries

      Citizen Science Uses Art to Unlock Scientific Knowledge

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      Citizen Science in Science Gossip


      Since the release of Science Gossip a little less than a month ago, 3,600 volunteers have enthusiastically completed 160,000 classifications of natural history illustrations from the pages of 19th century science periodicals! As a result, the periodicals Recreative Science and Midland Naturalist are now fully classified and both the Magazine of Natural HistoryandJournal of Zoology, Botany, Mineralogy, Geology and Meteorology and the Intellectual Observer are nearly complete (approximately 80%).


      Volunteers have identified illustrations from a wide variety of topics, from Barnacles transforming into Geese to Egyptian Village Life to a plant called Vegetable Sheep, all of which demonstrate the diversity of domains covered in these 19th century science periodicals.

      Barnacles transforming into Geese. Magazine of Natural History. v. 5 (1832).http://biodiversitylibrary.org/page/2301212.

      Some of the illustrations volunteers have discovered relate to other Zooniverse projects such as these gems:


      Egyptian Village Life. The Intellectual Observer. v. 7 (1865). http://biodiversitylibrary.org/page/39464460.

      Furthermore, within the first week, one of the volunteers managed to uncover the background image we use for the Science Gossip website!

      Talk has been very active with questions about the best way to classify. Based on regularly recurring questions from users we have begun an FAQ, and this list will grow over time. If you have a question you think should be added to the FAQ, please post here.

      Vegetable Sheep! The Intellectual Observer. v. 11 (1867). http://biodiversitylibrary.org/page/39544035.

      We are in the process of uploading new content and are looking to reduce the number of blank and text only pages that volunteers have to weed through to get to pages with illustrations. Algorithms that can help automatically identify pages with text are being tested, although they are not 100% accurate. Stay tuned for progress and we look forward to seeing what other illustrative treasures our volunteers will unearth over the next month!

      Citizen Science in Flickr


      We've also been encouraging our user community to help us unlock knowledge in scientific illustrations through Flickr tagging. In January, we announced that, in addition to the nearly 100,000 images in our own Flickr collection, over a million BHL images are also being uploaded to Flickr Commons via the Internet Archive Flickr stream. As part of our Art of Life project, we asked you to help us enhance these images by tagging them with species names.

      Since our request in January, over 1,700 images in the BHL Flickr collection have been tagged by our user community, translating to over 18,000 total images tagged. Those images with species name machine tags are automatically ingested into the Encyclopedia of Life and associated with the corresponding species page. To date, there are over 17,000 BHL images in EOL.

      Aster cordifolius, tagged by @SiobhanLeachman. Addisonia. v. 2 (1917). http://biodiversitylibrary.org/page/28890239.  

      Our community has also been adding much more information than just species names. @SiobhanLeachman and @VLeachman shared a great guide from the British Library on additional machine tag formats, including artist name, dates, and VIAF information. As a result, knowledge such as the artists who created these amazing illustrations is also being captured.

      Thanks to our interaction with taggers on social media, we've also discovered some really amazing things about these illustrations. For example, through transcription activities with the Smithsonian Transcription Center, @Bailiuchan discovered a great mention by Vernon Bailey of Cassin's Kingbird (Tyrannus vociferans), which she shared on Twitter. We shared an illustration of the bird from BHL, and a suggestion of the possible artist from one of our image taggers led us to discover that this image, and the other plates from this work, were prepared by the same firm that did Audubon's famous Birds of America!

      Cassin's Kingbird. Plate prepared by same firm that did Birds of America, a fact we discovered thanks to our Flickr image tagging conversations on social media! Report on the United States and Mexican Boundary Survey. v. 2, pt. 2 (1859). http://biodiversitylibrary.org/page/28880648.

      We are so excited about the ways that citizen science is allowing us to learn new things about our collections and capture this knowledge in ways that allow others to more easily discover them. The ultimate goal for all of these activities is to ingest the tags and descriptions provided by users on Science Gossip and Flickr into BHL to enhance our own metadata and eventually support image search within the portal itself.

      Thank you for helping us learn about our collection and improve access to it! We hope you will continue to explore and describe our illustrations on Science Gossip and Flickr. What will you discover?

      Trish Rose-Sandler
      Data Analyst, Biodiversity Heritage Library, Missouri Botanical Garden
      Grace Costantino
      Outreach and Communication Manager, Biodiversity Heritage Library

      2015 Annual Members Meeting at The Field Museum

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      Attendees at the 2015 BHL Annual Meeting at The Field Museum in Chicago, IL.

      BHL Members and Affiliates met in Chicago, IL, for the 2015 Annual Meeting (17-18 March 2015). The annual meeting is a chance for BHL Member and Affiliate representatives to learn what is happening around BHL and to give updates from their own institutions.

      Christine Giannoni. Director, The Field Museum Library.
      This year, the meeting was hosted by Christine Giannoni (Museum Librarian & Head of Library Collections, The Field Museum Library) at The Field Museum, one of the original founding institutions of the Biodiversity Heritage Library. Since 2012, The Field Museum has participated in BHL as an Affiliate. The venue was a decidedly appropriate one, as, on the first day of the meeting, The Field Museum announced their decision to join BHL as a Member institution! Stay tuned for more information about this exciting development.

      This year's meeting began with an open BHL-Day on 17 March, during which librarians, scientists, and interested parties in the Chicago area were invited to attend a half-day program about BHL. Dr. Nancy E. Gwinn, BHL Executive Committee Chair and Director of the Smithsonian Libraries, presented on the Origins and Growth of BHL. William Ulate, BHL Technical Director, followed with updates on current BHL projects, including Purposeful Gaming, Art of Life, and Mining Biodiversity. Constance Rinaldo, BHL Executive Committee Vice-Chair and Librarian of the Ernst Mayr Library of the Museum of Comparative Zoology at Harvard University, provided updates from BHL's global nodes, and Grace Costantino, BHL Outreach and Communication Manager, provided an overview of BHL's use of social media to reach and engage with audiences.

      The highlight of the event, however, was a presentation by Dr. Matthew von Konrat, Head of Botanical Collections and McCarter Collections Manager (Bryophytes and Pteridophytes) at The Field Museum. Dr. von Konrat explained how he uses BHL daily to support his work, which includes creating a key to bryophytes (liverworts, hornworts, and mosses) - the second largest group of land plants after flowering plants.

      Dr. Matthew von Konrat presenting at the 2015 BHL Annual Meeting at The Field Museum in Chicago, IL.

      Martin R. Kalfatovic, BHL Director and Associate Director of Smithsonian Libraries, concluded the BHL-Day celebration with a presentation on the 2014 year in review and a look at future plans for BHL. Following a working lunch for BHL representatives, the meeting continued the afternoon of 17 March with a session open to BHL Members and Affiliates, during which representatives provided updates about BHL activities and progress at their home institutions. After a more detailed technical and global discussion from William Ulate and Constance Rinaldo (respectively), Bianca Crowley, BHL Collections Coordinator, presented collections committee updates and Carolyn Sheffield, BHL Program Manager, gave a presentation on the current status of BHL's administration and financials.

      Meeting attendees were treated to a lovely catered dinner in The Field Museum Library the evening of 17 March, which provided a unique opportunity to catch-up with fellow BHL colleagues and enjoy a good meal while surrounded by library books!

      The business portion of the meeting took place the following day, 18 March, during which the 2015 budget was approved, a committee to revise membership policies was organized, and updates to our strategic plan through 2017 were discussed. Finally, a new BHL Executive Committee was elected. Dr. Nancy E. Gwinn and Constance Rinaldo were both re-elected to serve as Chair and Vice-Chair (respectively). Jane Smith (Head of Library and Archives at the Natural History Museum, London) was elected to serve as the Executive Committee Secretary, succeeding Susan Fraser (Director, The LuEsther T. Mertz Library, The New York Botanical Garden).

      Representatives from 18 out of the 23 BHL Member and Affiliate institutions attended the meeting. Pictured at the top of this post are the meeting attendees:

      Front Row, left to right: Bianca Crowley (BHL Collections Coordinator), Grace Costantino (BHL Outreach and Communication Manager), Chris Mills (Kew), Nancy Gwinn (Smithsonian Libraries).

      Second Row, left to right: Eric Chin (BHL Singapore), Carolyn Sheffield (BHL Program Manager), Anne-Lise Fourie (BHL Africa), Leora Siegel (Chicago Botanic Garden), Diane Reilinger (MBL/WHOI).

      Third Row, left to right: Patricia Koleff (CONABIO, BHL Mexico), Tomoko Steen (Library of Congress), Christine Giannoni (Field Museum), Susan Fraser (NYBG), Constance Rinaldo (Harvard/Museum of Comparative Zoology), Judy Warnement (Harvard Botany Libraries), Jane Smith (NHM, London).

      Back Row, left to right: Richad Hulser (NHMLAC), Kelli Trei (UIUC), Doug Holland (Missouri Botanical Garden), Martin R. Kalfatovic (BHL Program Director), Marty Schlabach (Cornell), Tom Baione (AMNH), William Ulate (BHL Technical Director).

      From Early Women in Science to Ultraviolet Film: Using Art to Understand Insects

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      Art is an integral part of scientific investigation and documentation. Before the advent of photography, illustrations were used to capture intricate species details, habitat appearance, and even behaviors such as predation. Photography gained popularity as a visual recording method within scientific publications in the late nineteenth-early twentieth centuries, over time increasing the efficiency and accuracy by which nature could be recorded.

      Predation recorded via scientific illustration. Proceedings of the Zoological Society of London. pt. 28 (1860). http://biodiversitylibrary.org/page/12867034.

      Scientific illustrations and photographs are an important part of the Biodiversity Heritage Library. They are highlighted via social media on Flickr and Pinterest and are the subject of recent projects, (including Flickr image tagging for Art of Life and our Zooniverse Science Gossip portal) aimed at improving access to and discoverability of these important scientific resources. A recent post even articulated how scientific images from BHL are inspiring modern art.

      Scientific art may be presented either through final publications or within the pages of scientists' field notes. The latter often serve as the basis for more formal publication illustrations or provide details upon which authors may base their written descriptions of species or environments. In many cases, they help reveal new insights into an organism's physiology, morphology and ethology.

      Entomologists Maria Sibylla Merian and Robert E. Silberglied offer excellent examples of the importance of art in scientific investigation.

      The Artistic Legacy of the Mother of Entomology


      Maria Sibylla Merian, born on this day (April 2) in Frankfurt in 1647, is recognized as one of the most significant contributors to the field of entomology. Raised within a family of artists, Maria developed a fascination with insects, especially moths and butterflies, at an early age. By observing and sketching the silkworms that fed on the mulberry in her yard, she discovered that the silkworms turned into moths. She soon expanded her investigations to include as many caterpillars as she could, realizing that each of them metamorphisized into various butterflies and moths.

      Illustrating insect metamorphosis. Merian, Maria Sibylla. Metamorphosis insectorum surinamensium. 1705. http://biodiversitylibrary.org/page/41398732.

      At the age of 28, Maria published her first book of botanical illustrations in 1675, entitled Neues Blumenbuch. In 1699, she was awarded a grant by the then-governor of the Dutch colony of Suriname to travel with her daughter, Dorothea, to South America to explore and illustrate local animals and plants. She spent two years traveling around Suriname, including what later became known as the French, Dutch and British Guianas, illustrating wildlife with particular attention to capturing insect metamorphosis. In 1705 she published her work in Metamorphosis Insectorum Surinamensium with 60 plates depicting the full life cycle of many Suriname insects.

      Maria's illustrations were important and revolutionary for a number of reasons. The observations and evidence they displayed helped overturn the prevailing theory of the time that insects spontaneously generated from mud. Additionally, Maria drew her subjects from life in their natural environments. Most naturalists of the day illustrated species from dead, preserved specimens, which contributed to a lack of knowledge about the true life cycle and origin of insects. Finally, Maria also portrayed the host plant for the species she studied and even illustrated the damage the insects left on the plants.

      Illustration depicting insect metamorphosis and damage left on plants by insects. Merian, Maria Sibylla. Metamorphosis insectorum surinamensium. 1705. http://biodiversitylibrary.org/page/41398694.

      Sadly, Maria's Suriname expedition was cut short by an illness that forced her to return to the Dutch Republic. In 1715 she suffered a stroke which left her partially paralyzed and affected her ability to work. She died two years later in 1717 and was listed in a local registry as a pauper.

      While Maria's sex and lack of formal education resulted in her work largely fading into obscurity for many centuries after her death, she was rediscovered in the twentieth century, and today we properly recognize her significant contributions to science and how art enabled her to reveal new truths about the natural world. You can learn more about Maria in our Early Women in Science exhibit.

      A Picture's Worth a Thousand Words (or field entries...) 


      Several centuries after Maria's lifetime, entomologist Robert E. Silberglied was making his own discoveries about butterflies using another artistic medium: photography.

      Portrait of Robert E. Silberglied, circa 1975. RU 007316, Box 16, folder 7. SIA2012-7932.

      Silberglied was educated at Cornell University and Harvard University, and he began his professional career upon his appointment in 1973 as Assistant Professor of Biology at Harvard University and Assistant Curator of Lepidoptera at the Museum of Comparative Zoology (MCZ). In 1976, he accepted an additional appointment as a biologist at the Smithsonian Tropical Research Institute (STRI), spending half the year in Cambridge and the other half in the American tropics.

      Silberglied's work was chiefly focused on Lepidoptera, and he was especially interested in insect vision, ultraviolet reflectance in butterflies, and courtship, mating and reproductive behavior. As a previous post by Emily Hunter from The Field Book Project describes, photography was an integral part of Silberglied's investigations into these topics. He used photographs to capture transient butterfly behaviors such as courtship displays, which allowed him to study the activities in more detail. But perhaps more revolutionary than this, he used photography to "see what a butterfly sees."

      Photograph of Anartia jatrophae (Nymphalidae) in the midst of expanding its wings after exiting the pupa, the remains of which can be seen next to the butterfly. Robert E. Silberglied, undated (circa 1970s). SIA RU7316, Box 17, Folder 5. SIA2012-7947.

      Butterflies are able to see ultraviolet patterns invisible to the human eye. These patterns, as Emily Hunter describes, "assist butterflies with camouflage, finding nectar in a flower, communicating, and attracting a mate." A small field book from 1972, Costa Rica, describes Silberglied's methodology for capturing these UV patterns, which included two 35mm lenses attached to 16mm motion picture cameras (one recording color film, the other recording UV). This technique allowed Silberglied to "translat[e] the invisible UV patterns to human visible images." Learn more in Silberglied's article about the subject. Silberglied's field materials include a host of photographs capturing minute details, including a fascinating picture of butterfly wing patterns.

      Photograph depicting a magnified butterfly wing, undated, by Robert Silberglied. SIA RU7316, Box 16, Folder 15. SIA2012-7946.

      Sadly, Robert E. Silberglied was killed in 1982 (at the age of 36) in the Air Florida plane crash. His use of an artistic medium to uncover knowledge about butterflies was revolutionary and inspirational. As Ms. Hunter ponders, "who knows what he would have accomplished today with the abundance of new imaging technologies, as well as advances in sound recording, molecular techniques, and sophisticated methods of tracking individual butterflies."

      You can view Robert E. Silberglied's field notes in BHL, digitized by The Field Book Project.

      Maria Sibylla Merian and Robert E. Silberglied used art to capture important data and discover new truths about insect behavior and life cycles. These two incredible individuals illustrate the powerfully impactful intersection between art and science and demonstrate how the convergence of distinct disciplines can open new doors, overturn false notions, and excite a whole new era of scientific discovery.

      Grace Costantino
      Outreach and Communication Manager, Biodiversity Heritage Library

      No Flippant Matter: The Re-Invention of the Flipper and Why Ceatacean Flippers Are Unique

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      Cetaceans are not closely related to other aquatic vertebrates and represent a unique lineage derived from hoofed land mammals that returned to an aquatic lifestyle about 50 million years ago (Thewissen, 1998). The transition from land to water, i.e. the development from weight-bearing forelimb with five hoofed toes to tissue-encased flipper not capable to support locomotion on land, is well documented by fossils (Thewissen et al., 2001, 2009) and very different from other aquatic vertebrates. Consequently many morphological characteristics that cannot be detected in fossils have remained little documented or speculative. Freed from the constraints of gravity and the developmental links to the hind legs, there is also a persistent anatomical plasticity in the flipper of modern cetaceans, showing substantial skeletal disparities sometimes even within the same population or pod (Cooper et al., 2007). Although there are a small number of morphological studies investigating the flipper in extant cetaceans, the understanding of functional morphology in this group has so far remained largely unresolved.

      There are less than two dozend studies that include odontocete (toothed whales and dophins) forelimb myology (soft tissue studies). About half are classical works (Howell, 1927, 1930; Murie, 1870, 1873; Schulte and Smith, 1918; Stannius, 1849; Struthers, 1873), most of them available at BHL, and a few are more modern (Benke, 1993; Klima et al., 1980; Pilleri, 1976; Pilleri et al., 1976; Smith et al., 1976; Sokalov and Rodionov, 1974; Strickler, 1978).

      Myology, deep layers, of limbs and blow hole in the long-finned pilot whale (Globicephala melas). Murie, James. "On the Organization of the Caaing Whale, Globiocephalus melas."Transactions of the Zoological Society of London. v. 8 (1872). http://biodiversitylibrary.org/page/28778656.

      Among mysticetes (balaeen whales) the lack of data is particularly apparent. The few accounts that include soft tissue are limited to rorquals (Benke, 1993; Carte and Macalister, 1868; Kükenthal, 1921; Perrin, 1870; Schulte, 1916; Struthers, 1888, 1889) and right whales (Kükenthal, 1922; Struthers, 1878) - except Benke all are nearly or over a century old.


      Drawing of and lateral view of myology of Balaenoptera rostrata. Alexander Carte and Alexander Macalister. On the Anatomy of Balaenoptera rostrata. Phil. Trans. R. Soc. Lond. January 1, 1868(158). 201-261. http://rstl.royalsocietypublishing.org/content/158/201.full.pdf+html.

      The question of how cetaceans transitioned from a weight-bearing leg to a flipper is one of considerable interest to Moyna K. Müller, a PhD student at the Geology Department, University of Otago, New Zealand.

      Müller has been studying cetaceans for the past four years, with particular interest not only in the transition of the weight bearing leg to flipper (evo-devo), but also comparative muscoskeletal arrangement of the shoulder and forelimb and functional analysis of the flipper. Her research requires access to historic literature that forms the basis of her comparative analysis and provides access to data from morphological studies done in the past. Gaining access to this literature used to present a challenge for Müller, until she discovered the Biodiversity Heritage Library.

      Moyna K. Müller, a PhD student at the Geology Department, Otago University, New Zealand at the Ag research centre Invermay, Mosgiel, with a neonate pygmy right whale. Photo by Cheng-Hsiu Tsai.

      "[I discovered BHL] at the beginning of my studies when I couldn’t get an article and in desperation told a fellow student in our group, who then put me onto your website. Since then I felt like a kid in a lolly shop," praises Müller. "[There are] way too many things to look at distracting me from my studies."

      Recently those studies have included work on the pygmy right whale, Caperea marginata, the least known and most elusive of all baleen whales. This species is only known from isolated remains, infrequent solitary strandings, and few sightings, thus sharply contrast with all other baleen whales that are known from a multitude of live observations, captures and strandings (Baker, 1985). The earliest descriptions of this cryptic whale were based on beach-cast fragments associated with a convoluted taxonomy and nomenclature only applied correctly as Caperea marginata from 1930s onwards (Beddard, 1901; Gray, 1873; Rice, 1998). The divergent external appearance and skeletal disparity of the pygmy right whale warrant hereby separation from the true right whales (Balanidae) into a discrete family (Neobalaenidae Gray 1873), separating C. marginata from all other living mysticete families (Balaenidae, Eschrichtiidae and Balaenopteridae). However, only recently has C. marginata also been associated with an otherwise extinct fossil family (Cetotheriidae) (Fordyce and Marx, 2013). It is with this family that the pygmy right whale also shares some of the most striking fatures of the postcranial skeleton, namely the shoulde blade and the ribs (Bouetel and de Muizon, 2006; Gol'din et al., 2013).

      Osteology of the Pygmy Right Whale Caperea marginata. Beddard, FE. "Contribution towards a knowledge of the osteology of the pigmy whale (Neobalaena marginata)." Transactions of the Zoological Society of London. v. 16 (1901). http://biodiversitylibrary.org/page/32663067.

      Müller confides that, to support her work, she uses BHL "too often to count," downloading PDFs of papers, whole articles, and high resolution images from our collection. The material is invaluable to her research.

      "A lot of older literature I cannot get anywhere else, and without it I would sometimes have no basis for comparative analysis or I would not be able to confirm the validity of citations by other authors," explains Müller. "This was particularly the case when working on the pygmy right whale (Caperea marginata). Apart from the pygmy right whale’s convoluted taxonomy, there are only three detailed descriptions of the shoulder musculature of any baleen whale – two of them (also the most detailed ones) are about a hundred years old (Carte and Macalister 1868 and Schulte 1916)."

      When asked to describe her favorite BHL feature, Müller could not narrow it down to a single service (something we love to hear!). She not only finds it easy to locate the journals she needs but also, once she has found a title of interest, quickly determines what volumes are available. She also likes the visually-attractive images displayed throughout the website (even the "stunning fish" displayed on our "item not found" page), as well as the ‘news’, ‘today’s picks’ and ‘featured collections’ components. Finally, she was particularly complimentary of our feedback service (shout-out to Jackie Chapman, our BHL Collections Librarian who triages all of our feedback), describing it as "fast, friendly and very competent."

      Moyna K. Müller labelling shoulder muscles of a juvenile pygmy right whale at the Museum of New Zealand (Te Papa). Photo by R. Ewan Fordyce.

      Likewise, Müller could not name a single-favorite item in BHL. As she describes:

      "The problem in my field is that there is no complete work I could use as the fundament for my own work, but rather a host of different articles that cover some aspects, e.g. osteology (van Beneden, 1880, Ostéographie des Cétacés vivant et fossils), or myology (Carte, A. and A. Macalister, 1868, On the anatomy of Balaenoptera acutorostrata or Schulte, H. v. W., 1916, Anatomy of a foetus of Balaenoptera borealis), and equally important the description of little described whales and dolphins (many articles by e.g. W. H. Flower, F. J. Knox, J. Hector, J. E. Gray in various volumes of Transactions and Proceedings of the New Zealand Institute or The Annals and Magazine of Natural History)."

      Thus, the ability to retrieve all of these works and more is critical to Müller's research success. BHL makes that possible.

      Finally, Müller did offer a wonderful suggestion for a way to improve BHL, particularly in relation to the many foreign works available.

      "You have quite a bit of foreign literature. [It's] no problem for me to translate e.g. German or French, but it might be worth considering creating an option to upload translations, or a summary created by researchers in that field who do speak that particular language and are familiar with the terminology in their field, since a crude translation or summary is still better than none for somebody who doesn’t speak that language at all."

      As we continue to explore more and more crowdsourcing opportunities within our BHL community, and investigate ways to allow our users to help us improve our collections and services, the ability to add translations, transcriptions, and annotations are just some of the features we're considering for our next interation of BHL. You can stay up to date with all of our website and service changes and improvements by following us on this blog, Twitter, and Facebook or subscribing to our newsletter. If you have suggestions for ways to improve our website or collections, please send us feedback!

      Thank you, Moyna, for taking the time to explain how BHL is useful to you in your daily work! Do you use BHL to support your work? Want to tell us about it? Send us a message at feedback@biodiversitylibrary.org.

      Click here to see cetacean sources cited, used, or otherwise useful, outlined by Moyna K. Müller

      Post By:
      Moyna K. Müller
      PhD student at the Geology Department, Otago University, New Zealand
      With Contributions From:
      Grace Costantino
      Outreach and Communication Manager, Biodiversity Heritage Library

      The Biodiversity Heritage Library Adds The Field Museum as a New Member

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      The Biodiversity Heritage Library (BHL) welcomes The Field Museum as a new member. One of the original founding institutions of BHL in 2007, The Field Museum has participated in the Biodiversity Heritage Library as an Affiliate since 2012 and now represents the consortium’s 16th Member. 

      Descriptive catalogue of the lepidopterous insects contained in the Museum of the Honourable East-India Company. 1828-29. http://biodiversitylibrary.org/page/37023686. Digitized for BHL by The Field Museum Library.

      Founded in 1893 as the Columbian Museum of Chicago, The Field Museum has been inspiring curiosity about life on earth for more than 120 years. The Field Museum Library, founded in 1894, is committed to supporting the Museum’s mission as an educational and research institution concerned with diversity and relationships in nature and among cultures. With a collection of over 275,000 volumes of books and journals and other significant special collections of archives, manuscripts, photo archives and original natural history illustrations, the Library serves the scientific, professional, and creative needs of the Museum’s staff and research associates, volunteers, and interns, as well as visiting researchers, specialists, and scholars from around the world.

      Great and small game of Africa. 1899. http://biodiversitylibrary.org/page/37141656. Digitized for BHL by The Field Museum Library.

      The Field Museum started contributing to the BHL collection in 2007 through a collaboration with the University of Illinois Urbana-Champaign. The Museum’s first contributions included over a centuries’ worth of Field Museum scientific publications and reports as well as select publications related to Hymenoptera. Since then, the Library has been digitizing missing volumes from publication runs in BHL, priority requests from users, and select collections with support from The Field Museum’s Africa Council and the CARLI Book Digitization Initiative (Consortium of Academic and Research Libraries in Illinois). Through participation in BHL at the full Member level, the Museum hopes to digitize many unique and significant titles, including rare volumes from the Library’s ornithology collection.

      “Increasing access to Field Museum collections is a high institutional priority and critical to fulfilling our mission,” emphasized Christine Giannoni, Museum Librarian and Head of Library Collections at the Museum Library. “The collaborative nature of the BHL partnership allows us to effectively digitize and share our collections while fulfilling our mission.”

      Onze vogels in huis en tuin. 1869-76. http://biodiversitylibrary.org/page/41754973. Digitized for BHL by The Field Museum Library.

      Since 2012, BHL’s consortium has operated within a tiered structure comprised of Members and Affiliates. While Affiliates can contribute content, provide technical services, and participate in select committees, participation at the full Member level allows for greater institutional impact, including the right to vote on strategic directives, help govern the BHL program, and use central digitization funds. Those participating at the Member level also commit to an annual fee that helps support BHL’s financial stability.

      “We are thrilled to welcome The Field Museum – an institution that has been part of the BHL family since the very beginning – as a BHL Member,” affirmed Martin R. Kalfatovic, BHL Program Director. “As we continue to refine our strategic and operational priorities to ensure long-term sustainability, the support of our Members is central to the health of our organization and helps us achieve our mission to provide free, open, and global access to the world’s biodiversity knowledge.”

      View books contributed by The Field Museum in BHL.
      View images from books contributed by The Field Museum in the BHL Flickr.

      BHL Program Director presents at the Catalogue of Life Mini-symposium in Oostende

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      Peter Schalk, Catalogue of Life
      BHL Program Director Martin R. Kalfatovic attended the Catalogue of Life Mini-symposium at the Flanders Marine Institute in Oostende, Belgium on 2 April 2015. Following on the Catalogue of Life (CoL) meetings, the purpose of the mini-symposium was to present uses of the Catalogue of Life and highlight collaborations.

      The opening session included an overview of the CoL from Chrstina Flann (CoL), a use case from the Botanical Garden, Meise (Henry Engeldow); and other presentations from Nicolas Bailly (Royal Museum for Central Africa & Fishbase), Danny Meirte (Herpetology Database), Leen Vandepitte (World Register of Marine Species), and Aaike De Wever (The Freshwater Animal Diversity Assessment).

      The later session included a series of presentations on major programs and projects focusing on their progress and future vision. Donald Hobern spoke about the Global Biodiversity Information Faciity (GBIF), Bob Corrigan on the Encyclopedia of Life, Peter Schalk on the Catalogue of Life, and Martin Kalfatovic on the Biodiversity Heritage Library ("Looking Forward: The Biodiversity Heritage Library").


      2015.04.02-DSC00764
      Ferry to the Flanders Maine Institute

      A New Snail Species Named in Honor of BHL!

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      A new land snail species from Laos has been named in honor of the Biodiversity Heritage Library!

      Vargapupa biheli, named in honor of BHL. Image courtesy Dr. Barna Páll-Gergely.

      Vargapupa biheli, a medium-sized, slender turriform species with a well developed basal keel, was described in the article "Revision of the Genus Pseudopomatias and its Relatives (Gastropoda: Cyclophoroidea: Pupinidae" in Zootaxa: 3937(1), 2015, by Barna Páll-Gergely, Zoltán Fehér, András Hunyadi, and Takahiro Asami.

      The species is part of a newly-described genus, also articulated within this article, Vargapupa, which includes this and one other newly-described species, Vargapupa oharai, both species of which are known from the northern Annamese Mountains in Northern Vietnam and Laos.

      Dr. Barna Páll-Gergely, the lead author on the paper and a Biologist in the Department of Biology at Shinshu University in Japan, uses BHL as part of his daily work and has been profiled in the past on our blog. Deeply appreciative of the services BHL provides, Páll-Gergely decided to dedicate the new species to the Biodiversity Heritage Library, writing in the Zootaxa paper:

      "The new species is named after the Biodiversity Heritage Library (www.biodiversitylibrary.org) to thank the multitude of rare literature made available to us. The name “biheli” is an acronym derived from the name BIodiversity HEritage Library."

      Dr. Páll-Gergely's current research focuses on the taxonomy of some land snail groups (genera and families) of East Asia. According to Páll-Gergely,

      "Most species of this area were described at the end of the 19th and the beginning of the 20th centuries...with poor locality data, based on a few empty shells, and many of them have not been sufficiently illustrated. Therefore, whenever I want to describe new species, I have to examine the type specimens of every known species in museum collections and compare [them] with the material I have. My aim is to accumulate as many information on a particular group of snails as possible. I try to find morphological characters which help to distinguish species from each other and to categorized them into genera, tribes and families properly."
      The story of Páll-Gergely's discovery of Vargapupa biheli began with the examination of a few shells of a Pseudopomatias species that his friend, András Hunyadi, collected in Vietnam. As Páll-Gergely explained:

      "[András] told me they were possibly new species, so I started to compile all [available] literature about this genus. During my investigation I found a publication written by the French geologist and archaeologist Edmond Saurin (1904 -1977) in 1953 about some Laotian land snails. In the introduction, he mentioned that he collected Pseudopomatias fulvus in Laos, but no other information was written about that sample. I knew that Pseudopomatias fulvus was known from a small area in northeastern Vietnam, so the Laotian sample mentioned by Saurin was important to examine. I loaned it from the Paris museum, and when I first saw Saurin's sample, later named Vargapupa biheli, it was immediately clear that it was new to science."

      According to Páll-Gergely, both new Vargapupa species differ from other members of the Pseudopomatias genus due to the presence of keels in their shells. Vargapupa biheli has a strange keel on the basal part of its shell, while Vargapupa oharai displays this and a second, lower keel. The keel is absent in the genus Pseudopomatias, thus indicating the need for a new genus: Vargapupa. External morphological and locality data is currently the only information available for these two new species; nothing is known of their behavior, diet, etc.

      Left: A Pseudopomatias species without a basal keel (P. amoenus); Middle: Vargapupa oharai; Right: Vargapupa biheli. Both Vargapupa species possess a basal keel (indicated with an arrow). Image courtesy Dr. Barna Páll-Gergely.

      While Páll-Gergely's confirmation of Vargapupa biheli as a new species involved an examination of a specimen labeled as Pseudopomatias fulvus, which he loaned from the Muséum National d'Histoire Naturelle in Paris, the story of how that specimen came to be in the museum's collection is quite a tale!

      In the 1970s, Dr. Philippe Bouchet, a biologist at the Muséum National d'Histoire Naturelle, stumbled upon four obscure articles on the Pyramidellidae (a family of microgastropods that parasitize other marine invertebrates) of Vietnam by Edmond Saurin, published between 1958-62. The articles together described 210 new species of Pyramidellidae, but the type specimens that those species were based upon were missing. Bouchet set out to track them down, and through various communications finally discovered an old address for Edmond Saurin at the Château du Roussier in France. Bouchet wrote a letter to the address, inquiring after the types and whether Saurin would be willing to deposit them at the museum. Two weeks later, he received a reply from Madame Saurin, indicating that her husband had died two years earlier and that, while she did not know where the types might be, Bouchet was welcome to visit her home and comb through the attic in search of them.

      Two months later, Bouchet and a museum technician named Annie arrived at the Château du Roussier, where they were warmly greeted by Madame Saurin, who, over a glass of port, told them of her trip with her husband to Indochina in 1937 - an adventure that involved crossing the Red Sea with the infamous French adventurer and arms smuggler, Henry de Monfreid! In the 1950s, Saurin became fascinated with microsnails, and it was during this period that he collected the many specimens described in his papers. Following her tales, as Bouchet related to Páll-Gergely,

      "[Madame Saurin] said, 'time is running and you would like to see if you can find the Pyramidellid types before it gets dark, wouldn't you?' She took me to the very large attic of their very large mansion. It was full of cabinets, crates and boxes, and she said she had no idea if it would be there. It was like searching for a pin in a haystack. So, I started searching cabinets with small drawers and, knowing the habits of collectors of the time, small boxes, like cigar boxes etc. In fact I found the Pyramidellid types in less than 10 minutes! Some tubes had suffered, but overall I rescued about 80% of Saurin's Pyramidellid types, and at this occasion discovered that he had also amassed land snails, which Mme Saurin was happy to donate as well to Muséum National d'Histoire Naturelle. All the material was wrapped in newspaper cuts with place names scribbled in almost illegible handwriting across the print: clearly valuable scientific material but difficult to use! So we employed a Vietnamese student to curate this material, i.e. read place names, transcribe them on proper museum labels, and the result is what you have on loan."

      In total within the Zootaxa article, Páll-Gergely and his co-authors describe eleven species new to science, nine of which were found in the collection of the Natural History Museum, London, and in the Muséum National d'Histoire Naturelle, Paris. Eight of those nine were collected over a century ago, while Vargapupa biheli was collected, as described above, in the 1950s. Thus, this paper demonstrates the extreme importance of museum collections, not only for preserving known specimens but also as repositories of unknown new species. As Páll-Gergely expressed, "These century-old shells are not only important pieces for natural science, but in the same time, they are interesting pieces of human history."

      Going forward, Páll-Gergely plans to continue the revision of other south-east Asian land snail genera, examining type specimens, comparing them with newly collected specimens, and finally "describing species which are the result of millions of years of evolution on Earth." Museum collections, and the historic literature contained in BHL, will continue to constitute a major part of that work.

      Dr. Barna Páll-Gergely.

      We at BHL are deeply humbled at Páll-Gergely's recognition of BHL's contributions through his newly-described species, Vargapupa biheli. According to Páll-Gergely, this is a well-deserved recognition:

      "Simply speaking we need three main things for a taxonomy: (1) type specimens of known species deposited in museums, (2) previously not examined material, and (3) literature. BHL provided nearly all the literature we needed, because in most south-east Asian land snails groups most species were described before 1920. We may think it is natural to have old literature online, but if we didn't, we would have serious trouble finding the relevant publications. Therefore I thought BHL definitely deserves a new species named after it for the help it provided."

      We are pleased to say that BHL not only hosts a vast library of life on Earth, it is now a part of that library.

      Special thanks to Dr. Barna Páll-Gergely and Dr. Philippe Bouchet for their significant contributions to this post, and especially to Dr. Páll-Gergely for his recognition of BHL. The information about the discovery of Saurin's type specimens was relayed by Dr. Bouchet to Dr. Páll-Gergely and gleaned from Dr. Bouchet's book: Bouchet, P. and G. Mermet, 2008. Shells. Abbeville Press, New York. 164 pp.

      BHL participates in the GBIF-CoL-EOL-BHL-BOLD Summit at Naturalis

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      Jeroen Snijders, Bob Corrigan, Peter Schalk, Donald Hobern, Tom Orrell,
      David Remsen, Alex Borisenko, Alex Borisenko, Martin Kalfatovic
      On 13 April 2015, BHL Program Director Martin R. Kalfatovic attended the GBIF-CoL-EOL-BHL-BOLD Summit at Naturalis in Leiden, Netherlands. This meeting followed on the preceding Catalogue of Life meeting in Oostende, Belgium. The meeting took place in the historic Pesthuis on the Naturalis campus.

      Other participants were:
      • Donald Hobern, Global Biodiversity Information Facility (GBIF)
      • Peter Schalk and David Remsen, Catalogue of Life (CoL)
      • Tom Orrell, National Museum of Natural History, Smithsonian, Integrated Taxonomic Information System (ITIS)
      • Bob Corrigan, Encyclopedia of Life (EOL)
      • Alex Borisenko, Barcode of Life (BOLD)
      • Jeroen Snijders, Naturalis
      The purpose of the meeting was to discuss synergy and explore potential for intensifying collaboration concerning infrastructure, software tools, and services. The aims is to align strategic plans and future developments.

      Jeroen Snijders, Naturalis CIO, opened the meeting with an overview of Naturalis IT structure and capacity. He also outlined recent past and upcoming EU funding opportunities.

      Each of the participants then gave overviews of their programs and presented opportunities for collaboration and de-duplication of effort.

      The Naturalis senior management team from collections, scientific research, and research and education joined the group for lunch.

      IMG_20150403_111006326_HDRThe meeting concluded with a series of action items focused on aligning programs, developing interoperable resources, and sharing services and software tools.

      The successful meeting built on existing partnerships and collaborations of the participants and provided a framework for advancing shared goals.

      BHL and The Field Museum rapid inventory team: joining forces for conservation action

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      In 1855, after an exhausting trip across the Amazon, botanist Richard Spruce reached the Escalera Mountains of northern Peru. "I am among magnificent scenery and an interesting vegetation," he wrote.

      In 2013, botanist Corine Vriesendorp went back to those same mountains—still remote, still magnificent, and essentially unexplored since Spruce. "Stunningly beautiful," she wrote. "…breath-taking vistas of mountains, cliffs, waterfalls, and the Amazon lowlands."

      Spruce worked out of a place that looked like this:


      Vriesendorp and her colleagues worked out of a place that looked like this:


      In the field Spruce spent the night in tambos like this:


      Vriesendorp sheltered in places like this:


      Fascinated by the dwarf vegetation on the Escalera hilltops, Spruce wrote:

      "On the top of the narrow ridge of crumbling sandstone covered with a dwarf herbaceous and shrubby vegetation, it is hardly possible to walk on account of its violence."

      Exploring those same hilltops, Vriesendorp observed:

      "The landscape is hummocky and irregular, and covered in a thick swaying rootmat…. Walking through the landscape was difficult, with deep holes between some of the larger roots. An elfin forest… grows here, with very dense, moss-covered stems."

      Why highlight these two expeditions, separated by 158 years? Because both surveys—all their text, figures, photographs, and species lists—are now available in the Biodiversity Heritage Library:

      Spruce, Richard. Notes of a botanist on the Amazon and Andes. 1908. http://www.biodiversitylibrary.org/bibliography/17908#/summary.
      Pitman, Nigel, et al. (eds.). Perú: Cordillera Escalera-Loreto. 2014. http://www.biodiversitylibrary.org/bibliography/100199#/summary.

      Given BHL's rich historical holdings, no one will be surprised to hear that Spruce's book has long been a mainstay of the collection. What fewer people appreciate is that BHL is also a major supporter of modern-day efforts to explore, document, and protect biodiversity.

      The 2013 expedition to the Escalera range is a great example. Since 1999, the rapid inventory program Vriesendorp runs out of the Field Museum has assembled teams of biologists and social scientists to survey 27 poorly known biological hotspots in Peru, Ecuador, Bolivia, Cuba, and China. These inventories drum up the biological data, social data, consensus, and momentum needed to protect threatened landscapes. Over the program's 16 years, The Field Museum has helped governments protect more than 21 million acres of the world's richest forests.

      Locations of the 27 rapid inventories carried out by The Field Museum since 1999, with summary statistics showing the more than 21 million acres protected to date. Map by Jon Markel, The Field Museum.

      All 26 of the rapid inventory reports—totaling more than 5,000 pages and 2,000 photographs—are now freely available for downloading and searching on BHL (Series 1: Rapid Biological Inventories; Series 2: Rapid Inventories: Biological and Social). The tens of thousands of species the team has recorded over the years have been indexed, too. That means that when someone searches for the tree Vochysia ferruginea on Encyclopedia of Life, they get a link to our 2013 Cordillera Escalera survey—as well as a link to Spruce's 1855 survey.

      Getting all of The Field Museum rapid inventory reports into the Biodiversity Heritage Library is a big step forward. We couldn't help noticing, though, that a lot of our peers in conservation haven't taken the same step yet. It's time to change that. Conservation International, Smithsonian Conservation Biology Institute, Chicago Wilderness, Morton Arboretum, and all our other friends: 

      Let's see your stuff on BHL!

      The Escalera Mountains of Loreto, Peru. Photo by Álvaro del Campo, The Field Museum.


      Nigel Pitman, Ph.D. 
      Mellon Senior Conservation Ecologist 
      The Field Museum

      The Biodiversity Heritage Library at DPLAFest 2015

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      DLPAFest15_042015_A_0131BHL Program Director Martin Kalfatovic attended the DPLAFest 2015 in Indianapolis (April 17-18) representing both the BHL content hub and the Smithsonian content hub.

      DPLAFest drew over 300 people to the public programs held at the Indianapolis Public Library, the Indiana State Library, IUPUI University Library, and the Indiana Historical Society.

      DPLA Director of Content Emily Gore gave important updates on the DPLA hub model and how DPLA hopes that it will evolve over time.

      At the open poster session during the reception on the first day of DPLAFest, BHL presented a well-received poster, "45 Million Pages, 150 Million Species Names, Science for the DPLA: The Biodiversity Heritage Library" designed by Grace Costantino. The theme of the poster was: "The BHL is a 'Vast library of life' that enriches the DPLA by helping the DPLA community learn more about our non-human neighbors on planet Earth."


      Latest News from BHL

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      So you probably know that BHL is a global consortium and that to date we have 23 Members and Affiliates plus 8 global nodes. Explore our Members and Affiliates' contributions to BHL in our latest quarterly report and newsletter. The report is also full of other awesome updates and will provide answers to your pressing questions like "What's Garden Stories anyway?" and "How can I get involved in BHL by providing support or engaging in citizen science activities?". Check it out!

      Want to stay up to date with all the latest BHL news? Sign up for our newsletter!


      Got In-Copyright Content?

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      The Biodiversity Heritage Library’s collection of in-copyright titles continues to grow. Besides including, where possible, the in-copyright publications produced by our consortium library partners, we also digitize copyrighted titles by permission from the organizations or authors who generously sign our standard license agreement.
      Download BHL license agreement form

      We are very pleased to announce the recent acquisition of permission from the Bombay Natural History Society, the Entomological Society of British Columbia, the Flemish Entomological Society and the Hungarian Geological Society to provide their publications for free and open access. To date we have agreements with over 160 licensors to provide 390 in-copyright titles in our collection. Since the start of 2015, we have received permission to include or continue the digitization of:
        Stay tuned for more to come! All in-copyright content in BHL is assigned a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 (CC BY-NC-SA 4.0) license meaning that anyone is free to "use, reproduce, supplement, modify, create derivatives, and otherwise use the title(s), for any and all non-commercial purposes, with proper attribution to the licensor as the source." In short, you can reuse the in-copyright content as long as it's not for commercial reasons, you attribute the copyright holder, and apply the same license on your own creation.
        http://creativecommons.org/licenses/by-nc-sa/4.0/

        While the majority of BHL's collection revolves around "legacy" materials, meaning titles in the public domain in the United States (because well, it's easier to digitize materials without having to broker permission first), we are doing our best to increase the inclusion of in-copyright materials where possible.

        Do you hold copyright to a title that you think should be in the BHL collection? If so, please see more information about our permissions process via http://biodivlib.wikispaces.com/permissions and contact us.

        Some highlights from our in-copyright title collection include…

        Bianca Crowley
        Collections Coordinator
        Biodiversity Heritage Library
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